Thursday, February 18, 2021

Music for Anywhere Worship: Sunday, February 21, 2021



Welcome!

As we begin our time of musical worship together today, I wanted to share a few hymn verses by Mary Bowly Peters, one of the hymnwriters featured in today's post. This excerpt comes from her 1847 collection titled Hymns Intended to Help the Communion of the Saints

"Praise ye the Lord," again, again,
The Spirit strikes the chord;
Nor toucheth He our hearts in vain--
We praise, we praise the Lord.

"Rejoice in Him," again, again,
The Spirit speaks the Word
And faith takes up the happy strain
Our hope is in the Lord.

"Stand Fast in Christ," ah, yet again
He teacheth all the band,
Our single efforts are all in vain
In Christ alone we stand.

We are the "band," and in Christ alone we do stand!  Let us take up that happy strain and join together to sing hymns of praise, worship and adoration this weekend, even though we may be separated from one another by time and space. May the music, stories, Scripture and images shared here encourage you in your faith and help you to lift high the name of Christ as you start a new week. 

If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows). 

Here's an alphabetical list of all "Notes of Glory" music with links so that you can revisit your favorite hymns/songs and sing them once again!


PRELUDE
(to help you prepare to worship)

Jesus Is All the World to Me



Words and Music by Will L. Thompson, arranged for solo piano by Kim Williams.

John 15:13-15
Greater love has no one than this, that someone lay down his life for his friends. You are my friends if you do what I command you. No longer do I call you servants, for the servant does not know what his master is doing; but I have called you friends, for all that I have heard from my Father I have made known to you.
____________________________________________

We begin today with a prelude that explores how Christ is our truest, most faithful friend, a theme which has been explored in previous posts.  On September 6 we sang the following lyrics by J. Wilbur Chapman:

Jesus! what a Friend for sinners!
Jesus! lover of my soul;
friends may fail me, foes assail me,
he, my Savior, makes me whole.

Hallelujah! what a Savior!
Hallelujah, what a Friend!
Saving, helping, keeping, loving,
he is with me to the end.

And on May 10 last year we sang Joseph Scriven's beautiful verses, written to comfort and encourage his mother, ill and far away in Ireland:

What a friend we have in Jesus,
all our sins and griefs to bear!
What a privilege to carry
everything to God in prayer!
O what peace we often forfeit,
O what needless pain we bear,
all because we do not carry
everything to God in prayer!

Will Lamartine Thompson (1847-1909) expresses similar observations in "Jesus Is All the World to Me," for which he wrote both the words and music (a rare occurrence in hymnody!). Thompson also wrote both the words and music for "Softly and Tenderly" (featured here on Notes of Glory on Sunday, October 4, 2020), another hymn that focuses on a personal, saving relationship with Jesus. Will Thompson studied music at Mt. Union College and the New England Conservatory of Music as well as in Leipzig, Germany. He began composing in his teens and had early success with secular songs like "My Home on the Old Ohio" and "Gathering up the Shells from the Seashore." However, around age 40 he felt led to write hymns and other sacred compositions, and established his own (very successful) music publishing company with offices both in his hometown of East Liverpool, Ohio, and also Chicago, IL.

Jesus is our only perfect friend: a Savior who is loving and also holy and righteous. He graciously redeems all those who believe in him, confess their sins, and ask for forgiveness.  Here's a serene arrangement for solo piano by Kim Williams of Thompson's "Jesus is All the World to Me."  The lyrics are listed below so that you can read the encouraging words as you listen to Williams' beautiful version of this classic hymn.


Jesus is all the world to me,
My life, my joy, my all;
He is my strength from day to day,
Without him I would fall:
When I am sad, to him I go,
No other one can cheer me so;
When I am sad, he makes me glad,
He's my friend.

Jesus is all the world to me,
My friend in trials sore;
I go to him for blessings, and
He gives them o'er and o'er:
He sends the sunshine and the rain,
He sends the harvest's golden grain;
Sunshine and rain, harvest of grain,
He's my friend.

Jesus is all the world to me,
And true to him I'll be;
Oh, how could I this friend deny,
When he's so true to me?
Following him I know I'm right,
He watches o'er me day and night;
Following him by day and night,
He's my friend.

Jesus is all the world to me,
I want no better friend;
I trust him now, I'll trust him when
Life's fleeting days shall end:
Beautiful life with such a friend,
Beautiful life that has no end;
Eternal life, eternal joy,
He's my friend.

HYMNS FOR YOU TO SING WHEREVER YOU ARE
(transposed to easily singable keys!)

Join all the Glorious Names



Words by Isaac Watts, Music by John Darwall

Isaiah 9:6
For to us a child is born,
to us a son is given;
and the government shall be upon his shoulder,
and his name shall be called,
Wonderful Counselor, Mighty God,
Everlasting Father, Prince of Peace.

Psalm 72:17-19
May his name endure forever,
his fame continue as long as the sun!
May people be blessed in him,
all nations call him blessed!
Blessed be the Lord, the God of Israel,
who alone does wondrous things.
Blessed be his glorious name forever;
may the whole earth be filled with his glory!
Amen and Amen!

Hebrews 4:14-16
Since then we have a great high priest who has passed through the heavens, Jesus, the Son of God, let us hold fast our confession. For we do not have a high priest who is unable to sympathize with our weaknesses, but one who in every respect has been tempted as we are, yet without sin. Let us then with confidence draw near to the throne of grace, that we may receive mercy and find grace to help in time of need.
____________________________________

Originally written in 12 stanzas and featuring 17 different biblical names for Christ, "Join all the Glorious Names" is another wonderful hymn by Isaac Watts (1674-1748) who has made many appearances here on Notes and Glory.  He is the author of "Come We Who Love the Lord," Almighty Love" ("Now Let Inward Joys Arise," " I Sing the Mighty Power of God," "Joy to the World," and "Jesus Shall Reign,," among some 600 other hymns. Watts was a British minister, theologian and hymnwriter and is frequently described as the "Father of English Hymnody." He was also a logician and wrote a textbook on logic in 1724 which was highly popular and was considered a standard text on the subject. Watts also wrote essays on philosophy, astronomy, and psychology.   

"Join all the Glorious Names" was first published in Watt's 1709 collection titled Hymns and Sacred Songs with a title of "The Offices of Christ, from Several Scriptures." As noted with other hymns by Watts featured previously here on Notes of Glory, Watts sought to revitalize singing in England, which in many churches at that time was strictly limited to the Psalms. Watts wrote poetic paraphrases of nearly all the psalms and also wove in New Testament truths, something that seems entirely rational (i.e. singing about Christ in Christian churches!) but was controversial at the time due to the prevailing musical traditions. 

In "Join All the Glorious Names," Watts begins with a spirit of adoration and wonder.  He makes the point that there is no no single word, no name, or even all the titles in the Bible joined together that can fully convey the power and glory of God. He is that holy.  But because we do communicate and sing using words, Watts then turns to the Bible, joyfully listing various names and titles from both the Old and New Testaments, and matches certain names/titles with God's attributes and actions for which we give thanks and rejoice.  

The tune matched with "Join all the Glorious Names" here is "Darwall" written by none other than British vicar, poet, and amateur musician John Darwall (1731-1789): you'll recognize this as the tune sung with "Rejoice the Lord is King" which was featured here on Notes of Glory as a hymn on October 18, 2020, and as a piano postlude on April 5, 2020. "Darwall" was originally composed in 1770 as a setting for Psalm 148. 

You can listen to either of the Notes of Glory recordings listed above to get a feel for the tune if it's new to you, or listen to this recording of the hymn with singing by the Coventry Singers.  Then warm up your vocal cords and sing these glorious names of our Lord and Savior!  (Remember to click the arrow in the SoundCloud box below for a freshly-recorded piano accompaniment to help you sing with confidence: you can also click on the sheet music to enlarge it if you're a music-reader!).




Join all the glorious names
of wisdom, love, and pow'r,
that ever mortals knew,
that angels ever bore:
all are too poor to speak his worth,
too poor to set my Savior forth.

Great Prophet of my God,
my tongue would bless thy name:
by thee the joyful news
of our salvation came,
the joyful news of sins forgiv'n,
of hell subdued and peace with heav'n.

Jesus, my great High Priest,
offered his blood and died;
my guilty conscience seeks
no sacrifice beside:
his pow'rful blood did once atone
and now it pleads before the throne.

My Savior and my Lord,
my Conqu'ror and my King,
thy scepter and thy sword,
thy reigning grace, I sing:
thine is the pow'r; behold I sit
in willing bonds beneath thy feet.

I Cannot Tell



Words by William Young Fullerton, "Londonderry Air" Irish folk melody arranged by John Barnard


John 10:11-16
I am the good shepherd. The good shepherd lays down his life for the sheep. He who is a hired hand and not a shepherd, who does not own the sheep, sees the wolf coming and leaves the sheep and flees, and the wolf snatches them and scatters them. He flees because he is a hired hand and cares nothing for the sheep. I am the good shepherd. I know my own and my own know me, just as the Father knows me and I know the Father; and I lay down my life for the sheep. And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice. So there will be one flock, one shepherd.

Galatians 4:4-5
But when the fullness of time had come, God sent forth his Son, born of woman, born under the law, to redeem those who were under the law, so that we might receive adoption as sons.

1 John 4:14

And we have seen and testify that the Father has sent his Son to be the Savior of the world.
____________________________________

We often use the word "awesome" in casual conversation, but how often are we truly in awe of something? In the hymn we just sang, "Join all the Glorious Names," Isaac Watts notes with awe that even the biblical names for the Lord fail to completely convey His glory.  He is so very wonderful that we find ourselves full of wonder as we contemplate Him. 

In our next hymn, each verse begins with the words "I cannot tell," acknowledging our human limits in fully comprehending God's love for us, appreciating His sacrifice on our behalf, and understanding His glorious plans for our future. Just as in "Join All the Glorious Names," we are in awe of God's lovingkindness, and have a deep sense of wonder about his everlasting power. However, the second half of each verse begins, assuredly, with the words "but, this I know."  We can trust in God right now, today, and rely on all the promises in the Bible. And we are assured in 1 Corinthians 13:12 that in heaven, our knowledge and understanding will be greatly expanded. 

For now we see in a mirror dimly, but then face to face. Now I know in part; then I shall know fully, even as I have been fully known.

"I Cannot Tell" was written around 1920 by Irish evangelist and author William Young Fullerton (1857-1932) who came to a saving relationship with Christ at the age of 13 and became a student, friend and biographer of famed preacher Charles Haddon Spurgeon in London. Fullerton served as pastor of Melbourne Hall Baptist Church in Leicester, England and wrote a number of books including The Christly life: a study of the Christian graces and how to attain them, and The practice of Christ's presence.   "I Cannot Tell" is the only hymn by Fullerton still sung today, and is set to the very well-known tune "Londonderry Air," a traditional Irish melody. (You may recognize this tune as the musical setting for the folk song "Danny Boy.") This melody first appeared in print in the 1855 collection The Ancient Music of Ireland

If you'd like to hear "I Cannot Tell" with singing before you try it out yourself, here's a recording by the Choir of Salisbury Cathedral.  And then, do give it a try.  You'll find that Fullerton's powerful lyrics artfully and sensitively match the old Irish tune: this affirmation of our faith is a delight to sing! 






CCLI Song # 110119

John Barnard | William Young Fullerton
© Words: Public Domain
Music: 1982 John Barnard - The Jubilate Group (Admin. by Jubilate Hymns Ltd, sub to Hope Publishing for various regions) (Admin. by Hope Publishing Company)

For use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.com

CCLI License # 419384




I cannot tell why He whom angels worship
Should set His love upon the sons of men
Or why as Shepherd He should seek the wanderers
To bring them back they know not how or when
But this I know that He was born of Mary
When Bethlehem's manger was His only home
And that He lived at Nazareth and labored
And so the Savior, Savior of the world is come.

I cannot tell how silently He suffered
As with His peace He graced this place of tears
Or how His heart upon the cross was broken
The crown of pain to three and thirty years
But this I know He heals the broken-hearted
And stays our sin and calms our lurking fear
And lifts the burden from the heavy-laden
For yet the Savior, Savior of the world is here.

I cannot tell how He will win the nations
How He will claim His earthly heritage
How satisfy the needs and aspirations
Of east and west of sinner and of sage
But this I know all flesh shall see His glory
And He shall reap the harvest He has sown
And some glad day His sun shall shine in splendor
When He the Savior, Savior of the world is known.

I cannot tell how all the lands shall worship
When at His bidding every storm is stilled
Or who can say how great the jubilation
When all the hearts of men with love are filled
But this I know the skies will thrill with rapture
And myriad myriad human voices sing
And earth to heaven and heaven to earth will answer
At last the Savior, Savior of the world is King.

Through the Love of God Our Savior



Words by Mary Bowly Peters, "Ar Hyd y Nos" Welsh Tune

John 16:33
I have said these things to you, that in me you may have peace. In the world you will have tribulation. But take heart; I have overcome the world.”

Romans 5:1-2
Therefore, since we have been justified by faith, we have peace with God through our Lord Jesus Christ. Through him we have also obtained access by faith into this grace in which we stand, and we rejoice in hope of the glory of God.
 
Ephesians 1:13-14
In him you also, when you heard the word of truth, the gospel of your salvation, and believed in him, were sealed with the promised Holy Spirit, who is the guarantee of our inheritance until we acquire possession of it, to the praise of his glory.
______________________________________

Many Christians cite Horatio Spafford's "It is Well With My Soul" (featured here on Notes of Glory back on March 29, 2020) as one of their favorite hymns because it contrasts the very real challenges we often face with the peace we can find by trusting God even in the midst of trials and tribulations. "Through the Love of God Our Savior" is another hymn with the same theme: God can provide healing, peace, and calm even when circumstances are difficult. It was penned by British hymnwriter Mary Bowly Peters (1813-1856) and included in her 1847 published collection Hymns Intended to Help the Communion of Saints.  Peters was also a historian and compiled a seven-volume work titled The World's History from the Creation to the Ascension of Queen Victoria.

The melody matched with "Through the Love of God Our Savior" may sound familiar to you. It is a well-known Welsh folk song, "Ar Hyd Y Nos" which translates to "All Through The Night." The tune first appeared in print in Musical and Poetical Relics of the Welsh Bards published in 1784. It has been paired with a number of other hymn texts including "Go Children, With My Blessing," "God, That Madest Earth and Heaven," and "For the Fruits of All Creation." 

"Through the Love of God our Savior" may be new to you: here's a recording with singing by the St. Michael's Singers. to help you get a feel for the beautiful melody and lyrics.  (You can also listen to the first verse of the piano accompaniment in the SoundCloud window first before singing). Feel free to click on the sheet music below to expand it for easier viewing, and enjoy singing this testimony to God who has the power to calm us in the midst of life's storms. 


Public domain. Courtesy of PDhymns.com






Through the love of God our Savior,
all will be well.
Free and changeless is his favor,
all, all is well.
Precious is the blood that healed us,
perfect is the grace that sealed us,
strong the hand stretched forth to shield us,
all must be well.

Though we pass through tribulation,
all will be well.
Ours is such a full salvation,
all, all is well.
Happy, still in God confiding,
fruitful, if in Christ abiding,
holy, through the Spirit’s guiding,
all must be well.

We expect a bright tomorrow,
all will be well.
Faith can sing through days of sorrow,
'All, all is well.'
On our Father’s love relying,
Jesus every need supplying,
in our living, in our dying,
all must be well.


POSTLUDE
(to send you forth with joy!)

Come, Sound His Praise Abroad



Words by Isaac Watts, Music attributed to Isaac Smith ("Silver Street" hymn tune), arrangement for solo piano by Anthony Giamanco

Psalm 95:1-5
Oh come, let us sing to the Lord;
let us make a joyful noise to the rock of our salvation!
Let us come into his presence with thanksgiving;
let us make a joyful noise to him with songs of praise!
For the Lord is a great God,
and a great King above all gods.
In his hand are the depths of the earth;
the heights of the mountains are his also.
The sea is his, for he made it,
and his hands formed the dry land.

Psalm 100:1-3

Make a joyful noise to the Lord, all the earth!
Serve the Lord with gladness!
Come into his presence with singing!
Know that the Lord, he is God!
It is he who made us, and we are his;
we are his people, and the sheep of his pasture.

Isaiah 64:8
But now, O Lord, you are our Father;
we are the clay, and you are our potter;
we are all the work of your hand.
______________________________

Isaac Watts (1674-1748), author of "Join All The Glorious Names" which we sang earlier (and many other beloved hymns) makes a return appearance in our postlude today.  In "Come, Sound His Praise Abroad," Watts calls us to speak boldly of God's majesty, describes his creative power, and invites all to praise him. It was published in his 1719 collection The Psalms of David: Imitated in the Language of the New Testament, and Applied to the Christian State and Worship.  

The melody matched with this hymn, titled "Silver Street," was included in A Collection of Psalm Tunes (ca. 1770) published by Isaac Smith (1734-1805).  Although the tune is often attributed to Smith, he did not claim to be the composer. Isaac Smith did write other tunes and also worked as a song leader at his church, and was in favor of weekly rehearsals not just for the choir and organist but also for the congregation!  According to Smith, "it is much to be wished that every congregation would appoint an hour or two some evening every week to practice such tunes as may be thought to be proper. By that means the mistakes of those who sing out of tune or out of time will easily be corrected." (One wonders if Smith's congregation followed his "wishes?")

May this jubilant piano postlude version of "Come, Sound His Praise Abroad" (arranged by Anthony Giamanco) encourage you, as you go forth into a new week, to lift your voice in praise of our Creator! 


Come, sound His praise abroad,
And hymns of glory sing;
Jehovah is the sov’reign God,
The universal King.

He formed the deeps unknown;
He gave the seas their bound;
The wat’ry worlds are all His own,
And all the solid ground.

Come, worship at His throne,
Come bow before the Lord;
We are His works, and not our own,
He formed us by His word.

Here is a playlist featuring all the music from today's post.  Enjoy!

Thursday, February 11, 2021

Music for Anywhere Worship: Sunday, February 14, 2021




Welcome!  

Today our prayer is that our hearts would be fully directed toward, attentive to, and focused on the love of God and the steadfastness of Christ. May the Holy Spirit help us to truly appreciate and celebrate this glorious, generous, sacrificial love today and every day. 

In Zephaniah 3:17, we read the following powerful declaration:

The Lord your God is in your midst, a mighty one who will save; he will rejoice over you with gladness; he will quiet you by his love; he will exult over you with loud singing.

Our God is a God of love!  He is in our midst, he is mighty, he saves, he rejoices over us, and exults over us with loud singing!  He also quiets us with his love. This is our Father's comforting love that calms our fears and "bids our sorrows cease," as the hymnist Charles Wesley once wrote. God's salvation plan for us completely demonstrates this great love, vast as the ocean: "But God shows his love for us in that while we were still sinners, Christ died for us." (Romans 5:8).   

Today we will exult over God's love for us, and exalt and praise our loving Father with our own loud singing!  Even if we can't worship together at our churches just yet (although some of you now are able to do so safely, and we rejoice with you!), this is a space where we can commune in spirit with one another and the Lord by singing beautiful songs of praise and adoration. May the music, stories, Scripture and images shared here encourage you in your faith and help you to lift high the name of Christ as you start a new week. 

If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows). 

Here's an alphabetical list of all "Notes of Glory" music with links so that you can revisit your favorite hymns/songs and sing them once again!


PRELUDE
(to help you prepare to worship)

Love Divine, All Loves Excelling

Words by Charles Wesley, Music by John Zundel. Arranged for piano solo by Victor Labenske

John 3:16-17
For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life. For God did not send his Son into the world to condemn the world, but in order that the world might be saved through him.

2 Corinthians 3:18
And we all, who with unveiled faces contemplate the Lord’s glory, are being transformed into his image with ever-increasing glory, which comes from the Lord, who is the Spirit.

Revelation 21:3
And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God.

Revelation 21:6
And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment.
_____________________________

We sang "Love Divine, All Loves Excelling" together as a featured hymn back on May 10, 2020. (My, that seems like a very long time ago!)  Today's post features an encore appearance of this marvelous hymn on the theme of God's love, this time in a fresh arrangement for piano solo by Victor Labenske.  Below is some of the information I shared in the original "Love Divine" post. Since last May we've sung many other hymns by Charles Wesley, but I thought you might enjoy a bit of a re-introduction to this amazingly prolific writer. 

One of our most beloved Christian hymns is a sung prayer for sanctification and the indwelling of the Holy Spirit, addressed to the God whose love is holy, undefiled, and more excellent than anything we could ever imagine. It was created by Charles Wesley (1707-1788)  who wrote over 6,000 hymns (plus an additional 3,000 poems with spiritual themes). Wesley was the youngest of 19 children (10 of whom survived to adulthood) born to Samuel and Susannah Wesley in Epworth, England. His early years were filled with Susannah's dynamic home-schooling: she taught her children for six hours each day, educating them in diverse subjects including Latin and Greek. After receiving his master's degree from Oxford University, Charles spent many years traveling on horseback and preaching with his brother John, often in open air settings. Although already a professing Christian he experienced a deep spiritual renewal in 1738: it was immediately following this period that he began to prolifically write hymns, including "Jesus, Lover of My Soul," "Christ the Lord is Risen Today," "Hark the Herald Angels Sing," and "O For a Thousand Tongues to Sing." Scholars calculate that Wesley produced, on average, 10 lines of poetic verse a day for 50 years.

"Love Divine, All Loves Excelling" was included in Wesley's 1747 collection, Hymns for Those that Seek, and Those that Have, Redemption in the Blood of Christ. The tune that is now commonly matched with Wesley's text in American hymnals was composed in 1870 by John Zundel (1815-1882), a German organist and composer who emigrated to America and was hired by famed preacher Henry Ward Beecher to be organist and music director at Brooklyn's Plymouth Church.  In fact, the tune for "Love Divine" is often called "Beecher" (although sometimes it is simply titled "Zundel").  Zundel wrote the tune specifically for Wesley's text, and the two were published together in Zundel's 1870 collection Christian Heart Songs. 


Love divine, all loves excelling,
joy of heav’n, to earth come down,
fix in us thy humble dwelling,
all thy faithful mercies crown.
Jesus, thou art all compassion,
pure, unbounded love thou art.
Visit us with thy salvation;
enter ev'ry trembling heart.

Breathe, O breathe thy loving Spirit
into ev’ry troubled breast.
Let us all in thee inherit,
let us find the promised rest.
Take away the love of sinning;
Alpha and Omega be.
End of faith, as its beginning,
set our hearts at liberty.

Come, Almighty, to deliver,
let us all thy life receive.
Suddenly return, and never,
nevermore they temples leave.
Thee we would be always blessing,
serve thee as thy hosts above,
pray, and praise thee without ceasing,
glory in thy perfect love.

Finish, then, thy new creation;
true and spotless let us be.
Let us see thy great salvation
perfectly restored in thee.
Changed from glory into glory,
till in heav’n we take our place,
till we cast our crowns before thee,
lost in wonder, love and praise.

HYMNS FOR YOU TO SING ANYWHERE
(transposed to easily singable keys!)

The Love of God



Words by Frederick M. Lehman and Music by Frederick Lehman. 

Romans 8:35-39
Who shall separate us from the love of Christ? Shall tribulation, or distress, or persecution, or famine, or nakedness, or danger, or sword? As it is written,
“For your sake we are being killed all the day long;
we are regarded as sheep to be slaughtered.”
No, in all these things we are more than conquerors through him who loved us. For I am sure that neither death nor life, nor angels nor rulers, nor things present nor things to come, nor powers, nor height nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord.

Ephesians 3:14-19
For this reason I bow my knees before the Father, from whom every family in heaven and on earth is named, that according to the riches of his glory he may grant you to be strengthened with power through his Spirit in your inner being, so that Christ may dwell in your hearts through faith—that you, being rooted and grounded in love, may have strength to comprehend with all the saints what is the breadth and length and height and depth, and to know the love of Christ that surpasses knowledge, that you may be filled with all the fullness of God.
________________________________


One of the most beautiful hymns extolling the love of God was written by Frederick Lehman (1868-1953), who emigrated with his family to America from Germany when he was about four years old. They settled in Iowa, and Lehman became a Christian at age 11. He studied at Northwestern College in Naperville, Illinois and then became a pastor, serving various congregations in Illinois and Iowa before settling in Kansas City, Missouri where he helped to found the Nazarene Publishing House in 1911. Song writing was Lehman's passion and he wrote hundreds of gospel songs and hymns during his lifetime. 

In 1917, Lehman ran into financial problems and ended up in Pasadena, California where he worked in a citrus fruit packing factory. His 1948 pamphlet "History of the Song, The Love of God" describes the circumstances in which this song was created. (Note Lehman's use of "we" and "us" in referring to himself).
 
While at camp meeting in a mid-western state, some fifty years ago in our early ministry, an evangelist climaxed his message by quoting the last stanza of this song. The profound depths of the lines moved us to preserve the words for future generations.

Not until we had come to California did this urge find fulfillment, and that at a time when circumstances forced us to hard manual labor. One day, during short intervals of inattention to our work, we picked up a scrap of paper and, seated upon an empty lemon box pushed against the wall, with a stub pencil, added the (first) two stanzas and chorus of the song.

The full authorship of the third and final stanza of the song was unknown to Lehman, although he stated the following in his pamphlet, based on what he had been able to learn about the origin of these words at that time:

These words were found written on a cell wall in a prison some 200 years ago. It is not known why the prisoner was incarcerated; neither is it known if the words were original or if he had heard them somewhere and had decided to put them in a place where he could be reminded of the greatness of God’s love – whatever the circumstances, he wrote them on the wall of his prison cell. In due time, he died and the men who had the job of repainting his cell were impressed by the words. Before their paint brushes had obliterated them, one of the men jotted them down and thus they were preserved.

Although that may well be part of the story of the final verse of this hymn, later research revealed that these words were actually written in 1096 by a Jewish cantor, Rabbi Meir Ben Isaac Nehorai who lived in Worms, Germany and wrote a lengthy 90-verse sacred poem in Aramaic called "Hadamut," or "Akdamut." The translated, extracted portion of this poem that Lehman came across nearly one thousand years later was what he adapted as the third verse of "The Love of God," adding the first and second verses and refrain.  Lehman's daughter, Claudia Lehman Mays (1892-1973) provided the harmonization for "The Love of God" which first appeared in print in 1919 in the second volume of Frederick Lehman's 5 volume series, Songs that Are Different. 

God's love is so deep that no human can fully understand or describe it, but throughout "The Love of God" Lehman (and Nehorai) use beautiful metaphoric imagery to try to convey its enormity and vastness. In the first verse Lehman presents the gospel message that "God gave His Son to win; His erring child He reconciled, and pardoned from his sin." He further alludes to salvation through Christ by reminding us of his "redeeming grace to Adam's race."  God's love is also endless and "it shall forevermore endure." 

If "The Love of God" is new to you and you'd like to hear a recording with singing, here is a video rendition featuring the Gaither Vocal Band,  here's a contemporary version by the group MercyMe., and here's a video of George Beverly Shea singing this at a Billy Graham crusade in Boston in 1982. Enjoy listening to any or all of these interpretations, then come back here and enjoy singing your own version with the lyrics and piano accompaniment provided. Just a reminder: don't fear the repeated high notes: I transposed the whole song down a minor third so you'll be fine!





The love of God is greater far
Than tongue or pen can ever tell;
It goes beyond the highest star,
And reaches to the lowest hell;
The guilty pair, bowed down with care,
God gave His Son to win;
His erring child He reconciled,
And pardoned from his sin.

Refrain:
O love of God, how rich and pure!
How measureless and strong!
It shall forevermore endure—
the saints’ and angels’ song.

When years of time shall pass away
And earthly thrones and kingdoms fall,
When men who here refuse to pray,
On rocks and hills and mountains call,
God's love so sure shall still endure,
All measureless and strong;
Redeeming grace to Adam's race —
The saints' and angels' song.

Could we with ink the ocean fill,
and were the skies of parchment made;
were ev’ry stalk on earth a quill,
and ev’ryone a scribe by trade;
to write the love of God above
would drain the ocean dry;
nor could the scroll contain the whole,
though stretched from sky to sky. [Refrain]


Here is Love, Vast as the Ocean


Words by William Rees, Translated by William Edwards.  "Dim Ond Iesu" hymn tune by Robert Lowry


John 1:16-18

For from his fullness we have all received, grace upon grace. For the law was given through Moses; grace and truth came through Jesus Christ. No one has ever seen God; the only God,who is at the Father's side, he has made him known.
1 John 4:10-16
In this is love, not that we have loved God but that he loved us and sent his Son to be the propitiation for our sins. Beloved, if God so loved us, we also ought to love one another. No one has ever seen God; if we love one another, God abides in us and his love is perfected in us
By this we know that we abide in him and he in us, because he has given us of his Spirit. And we have seen and testify that the Father has sent his Son to be the Savior of the world. Whoever confesses that Jesus is the Son of God, God abides in him, and he in God. So we have come to know and to believe the love that God has for us. God is love, and whoever abides in love abides in God, and God abides in him.
_____________________________________

Our next hymn celebrating God's wondrous love was composed by William Rees (1802-1883), also known by his Welsh name, Gwilym Hiraethog. Rees was a poet and author who became a major literary figure in 19th century Wales: he was also a Nonconformist minister and was considered a polymath with interests in astronomy and political science. His poem "Dyma gariad fel y moroedd," ("Here is Love, Vast as the Ocean") was first published in 1847. The poem was translated from Welsh into English in 1900 by William Edwards (1848-1829), a New Testament scholar and Baptist college principal. In 1951, two more verses (stanzas 3 and 4) of unknown authorship were added to this hymn which was included in a collection of 800 evangelical hymns published in London and titled The Redemption Hymnal.
"Here is Love, Vast as the Ocean" played a significant role in the 1904-5 "Welsh Revival," in which dynamic preachers like Joseph Jenkins (1859-1929) and Evan Roberts (1878-1951) traveled from town to town, speaking to large, enthusiastic gatherings that included singing and prayer. Hymnology Archive's Chris Fenner cites a description of "Here is Love, Vast as the Ocean" in the context of one particular revival meeting, as found in H. Elvet Lewis's book, With Christ Among the Miners: Incidents and Impressions of the Welsh Revival (London: Hodder & Stoughton, 1907).

It was on Friday evening, at the closing service of the mission here, that the voice of a young girl of eighteen, Miss Annie Davies of Maesteg, came into the history of the revival. Professing Christ from childhood, trained in her home to serve Him with her vocal gifts, it was as the coming of Sister Clara to Francis. She sang, with tears on her face and victory in her voice, the mighty love-song of the revival—the hymn of Dr. William Rees (Hiraethog): “Dyma gariad fel y moroedd.” The song is of the marvel of Divine Love, flowing as vast oceans of tender mercies in never-ebbing floodtide; of the very Prince of Life dying, dying to redeem our forfeit life.
 
"Here is Love, Vast as the Ocean," which came to be known in Wales as "The Love Song of the Revival," has been set to many tunes, and is now commonly sung with a melody by American composer Robert Lowry (1826-1899) titled "Jesus Only," which was originally written for the hymn "What tho’ clouds are hov’ring o’er me” by Hattie M. Conrey. In Welsh hymnals the tune is titled ""DIM OND IESU" which translates to "Jesus Only."

If this beautiful Welsh hymn is new to you and you'd like to hear a recording with singing, here is a moving performance by singer Huw Priday (whose voice is also featured in the video linked below).  Here's a lovely version by the Scottish Festival Singers.  As you'll notice, Lowry's tune is very beautiful and is also easy to sing, so do come back here after you've enjoyed these recorded versions, and give this meaningful hymn a go with your own voice!

You might enjoy this short (less than five minutes) video that explores the overwhelmingly positive impact of these Welsh revival meetings on the local communities in which they occurred.
 






Here is love, vast as the ocean,
Lovingkindness as the flood,
When the Prince of Life, our Ransom,
Shed for us His precious blood.
Who His love will not remember?
Who can cease to sing His praise?
He can never be forgotten,
Throughout Heav’n’s eternal days.

On the mount of crucifixion,
Fountains opened deep and wide;
Through the floodgates of God’s mercy
Flowed a vast and gracious tide.
Grace and love, like mighty rivers,
Poured incessant from above,
And Heav’n’s peace and perfect justice
Kissed a guilty world in love.

Let me all Thy love accepting,
Love Thee, ever all my days;
Let me seek Thy kingdom only
And my life be to Thy praise;
Thou alone shalt be my glory,
Nothing in the world I see.
Thou hast cleansed and sanctified me,
Thou Thyself hast set me free.

In Thy truth Thou dost direct me
By Thy Spirit through Thy Word;
And Thy grace my need is meeting,
As I trust in Thee, my Lord.
Of Thy fullness Thou art pouring
Thy great love and power on me,
Without measure, full and boundless,
Drawing out my heart to Thee.
 
In Heavenly Love Abiding














Words by Anna Letitcia Waring, Music by Felix Mendelssohn


Psalm 23:1-4
The Lord is my shepherd; I shall not want.
He makes me lie down in green pastures.
He leads me beside still waters.
He restores my soul.
He leads me in paths of righteousness
for his name's sake.
Even though I walk through the valley of the shadow of death,
I will fear no evil,
for you are with me;
your rod and your staff,
they comfort me.

Psalm 27:1
The Lord is my light and my salvation;
whom shall I fear?
The Lord is the stronghold of my life;
of whom shall I be afraid?
 
John 15:7-11
If you abide in me, and my words abide in you, ask whatever you wish, and it will be done for you. By this my Father is glorified, that you bear much fruit and so prove to be my disciples. As the Father has loved me, so have I loved you. Abide in my love. If you keep my commandments, you will abide in my love, just as I have kept my Father's commandments and abide in his love. These things I have spoken to you, that my joy may be in you, and that your joy may be full.
______________________________________

Our third hymn on the topic of God's love expresses the profound peace and comfort that his love provides, using imagery drawn from Psalm 23. It was composed by another Welsh hymn writer, Anna Letitia Waring (1823-1910), whose father was also a writer: in fact, Waring had several other relatives who were involved in various literary pursuits. Anna Waring's family were Quakers, but she joined the Church of England, becoming an Anglican. She was a talented poet who published her first book, Hymns and Meditations, in 1850, and also learned Hebrew so that she could study the Old Testament in more depth. Anna Waring was also deeply involved in promoting the welfare and rehabilitation of prisoners, and supported the Discharged Prisoner's Aid Society for many years.

"In Heavenly Love Abiding" was included in Waring's 1850 hymn collection and was originally titled "Safety in God." Waring wrote many other hymns during her long lifetime, and "In Heavenly Love Abiding" was not her only poem that extolled the love of God. Here are two verses from another hymn published in the same 1850 collection as "In Heavenly Love Abiding," which was listed as "Love of God in Christ." Notice the similarity in tone and subject matter with "In Heavenly Love Abiding." It's very easy to see the themes of resting and abiding in God's love echoed in both hymns.

Though some good things of lower worth
My heart is called on to resign,
Of all the gifts in heaven and earth,
The greatest and the best is mine
The love of God in Christ made known —
The love that is enough alone,
My Father's love is all my own.

My soul's Restorer, let me learn
In that deep love to live and rest —
Let me the precious thing discern
Of which I am indeed possessed.
My treasure let me feel and see,
And let my moments, as they flee,
Unfold my endless life in Thee.

The tune matched here with Waring's text, "In Heavenly Love Abiding," is titled "Seasons" and was written between 1837-1843 by German Romantic-era composer Felix Mendelssohn (1809-1847). It is the main melody from the third song in his set of 6 songs, Op. 59, which was titled "Abschied von Walde" ("Farewell to the Forest").

If "In Heavenly Love Abiding" is new to you, here is a recording of the Dallas Christian Adult Concert Choir singing it that you might enjoy listening to. As with so many hymns that speak of the comfort that only God can give, you may find this hymn especially timely during this ongoing season of challenge and change.






In heavenly love abiding,
no change my heart shall fear;
and safe is such confiding,
for nothing changes here:
the storm may roar without me,
my heart may low be laid;
but God is round about me,
and can I be dismayed?

Wherever he may guide me,
no want shall turn me back;
my Shepherd is beside me,
and nothing can I lack:
his wisdom ever waketh,
his sight is never dim,
he knows the way he taketh,
and I will walk with him.

Green pastures are before me,
which yet I have not seen;
bright skies will soon be o'er me,
where darkest clouds have been;
my hope I cannot measure,
my path to life is free;
my Savior has my treasure,
and he will walk with me.


POSTLUDE
(to send you forth with joy!)

Jesus Loves Me



Words by Anna B. Warner, Music by William B. Bradbury. Piano solo arrangement by Vicki Tucker Courtney

Jeremiah 31:3
the Lord appeared to him from far away.
I have loved you with an everlasting love;
therefore I have continued my faithfulness to you.
Ephesians 5:2
And walk in love, as Christ loved us and gave himself up for us, a fragrant offering and sacrifice to God.
___________________________

On May 3, 2020, "Jesus Loves Me" was featured on Notes of Glory in the form of a solo piano arrangement by Shirley Brendlinger. Today we'll enjoy one more "take" on this classic song, via a different solo piano arrangement by Vicki Tucker Courtney that has an exuberant flair and is full of colorful dynamic contrasts. As was the case with our prelude today, I'll re-post this special song's background story which may be new to you, even if you have the words and melody of "Jesus Loves Me" well established in your permanent memory bank!

Along with "Amazing Grace," "Jesus Loves Me" may be one of the best-known Christian songs/hymns, at least here in America. Its history, however, is little known to many today who are familiar with this simple, deeply reassuring tune. American hymn writer and novelist Anna Bartlett Warner (1827-1915) wrote these short verses in 1859, and they were included in her sister Susan Warner's 1860 novel, Say and Seal. As part of the novel's storyline, a dying boy is comforted by his Sunday school teacher who sings him the stanzas listed below (most of us are only familiar with the first stanza and refrain). Two years later, musician and composer William Batchelder Bradbury (1816-1868) added the tune as well as the now-familiar refrain, "Yes, Jesus Loves Me." Bradbury also wrote the tunes for "Just As I Am," "He Leadeth Me," "My Hope is Built on Nothing Less," and "Savior Like a Shepherd Lead Me," all featured in the past year on Notes of Glory. Bradbury was also a conductor, organist, and music editor, and also established the Bradbury Piano Company in 1854, which successfully manufactured and sold a variety of high-quality pianos for many years.

Anna and Susan Warner were both successful writers (sometimes described as ''the Brönte Sisters of America") and lived in their family home on Constitution Island in the Hudson River. They taught Bible classes to nearby West Point cadets for 50 years: they would boat across to the academy until they were too frail to make the trip, then the cadets would come to them for both Biblical training and warm hospitality that included lemonade and ginger cookies. Anna and Susan Warner are the only two civilian women buried at the U.S. Military Academy Cemetary, recognized for their service to generations of these young soldiers.

"Jesus Loves Me" is typically considered to be a song for children, written in simple and comforting language. Yet it is deeply meaningful to many adults as well. Famed German theologian Karl Barth was asked in 1962 how he would summarize his numerous writings on faith and religion, and simply stated, "Jesus loves me, this I know, for the Bible tells me so."



Jesus loves me! this I know,
For the Bible tells me so;
Little ones to Him belong,
They are weak, but He is strong.

Refrain:
Yes, Jesus loves me,
Yes, Jesus loves me,
Yes, Jesus loves me,
The Bible tells me so.

Jesus loves me! He who died
Heaven's gates to open wide!
He will wash away my sin,
Let His little child come in. [Refrain]

Jesus loves me! loves me still,
Tho' I'm very weak and ill;
From His shining throne on high,
Comes to watch me where I lie. [Refrain]

Jesus loves me! He will stay
Close beside me all the way;
If I love Him when I die,
He will take me home on high. [Refrain]



Here is a playlist featuring all the music from today's post





Friday, February 5, 2021

Music for Anywhere Worship: Sunday, February 7, 2021


Welcome!  This is the day that the Lord has made; let us rejoice and be glad in it (Psalm 118:24). We rejoice in the wonder of a new day, full of opportunities to lift our voices in praise wherever we are! Even if we can't worship together at our churches, this is a space where we can commune in spirit with one another and the Lord by singing beautiful songs of praise and adoration "with heart and soul and voice." May the music, stories, Scripture and images shared here encourage you in your faith and help you to lift high the name of Christ as you start a new week. 

If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows). 

Here's an alphabetical list of all "Notes of Glory" music with links so that you can revisit your favorite hymns/songs and sing them once again!


PRELUDE
(to help you prepare to worship)

Will You Come and Follow Me?



Words by John Bell. "Kelvingrove" traditional Scottish tune.  Arranged by C. E. Walz for solo piano

Isaiah 6:8
And I heard the voice of the Lord saying, “Whom shall I send, and who will go for us?” Then I said, “Here I am! Send me."

Mark 1:16-18
Passing alongside the Sea of Galilee, he saw Simon and Andrew the brother of Simon casting a net into the sea, for they were fishermen. And Jesus said to them, “Follow me, and I will make you become fishers of men.” And immediately they left their nets and followed him.

John 12:25-26
Whoever loves his life loses it, and whoever hates his life in this world will keep it for eternal life.  If anyone serves me, he must follow me; and where I am, there will my servant be also. If anyone serves me, the Father will honor him.
_______________________________

This lyrical piano arrangement is based on a traditional Scottish tune, "Kelvingrove," which first appeared in print in The Harp of Kenfrewshire in 1820. The text that originally accompanied this tune was a love song, and the setting was near the river Kelvin in northern Glasgow. Several contemporary hymn composers have used this beautiful melody as a setting for their hymn texts, including Brian Wren in "Will You Come and See the Light from the Stable Door?" and Christopher Idle in "When You Prayed Beneath the Trees." Scottish composer John Bell (b. 1949) also used "Kelvingrove" as the basis for his 1987 hymn, "Will You Come and Follow Me" (sometimes titled "The Summons").  The first stanza of the text is shown below: the hymn invites singers to commit fully to following Christ and serving the needy in His name.  C. E. Walz's piano solo arrangement of Kelvingrove  has a simple, warm, and inviting quality: may this serene music prepare your heart for worship today.


Will you come and follow Me
If I but call your name?
Will you go where you don't know
And never be the same?
Will you let My love be shown,
Will you let My name be known,
Will you let My life be grown
In you and you in Me?

CCLI Song # 1040329
Graham Maule | John L. Bell
© 1987 WGRG, c/o Iona Community, Glasgow, Scotland (Admin. by Wild Goose Resource Group)
For use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.com
CCLI License # 419384

HYMNS TO SING ANYWHERE 
(transposed to easily singable keys!)

I Will Sing the Wondrous Story



Words by Francis H. Rowley, Music by Rowland Hugh Prichard, "Hyfrydol" hymn tune

Psalm 66:16
Come and hear, all you who fear God,
and I will tell what he has done for my soul.

Psalm 89:1
I will sing of the steadfast love of the Lord, forever;
with my mouth I will make known your faithfulness to all generations.


John 10:14-15
I am the good shepherd. I know my own and my own know me, just as the Father knows me and I know the Father; and I lay down my life for the sheep.

Revelation 4:1-5
After this I looked, and behold, a door standing open in heaven! And the first voice, which I had heard speaking to me like a trumpet, said, “Come up here, and I will show you what must take place after this.” At once I was in the Spirit, and behold, a throne stood in heaven, with one seated on the throne. And he who sat there had the appearance of jasper and carnelian, and around the throne was a rainbow that had the appearance of an emerald. Around the throne were twenty-four thrones, and seated on the thrones were twenty-four elders, clothed in white garments, with golden crowns on their heads. From the throne came flashes of lightning, and rumblings and peals of thunder, and before the throne were burning seven torches of fire, which are the seven spirits of God, and before the throne there was as it were a sea of glass, like crystal.
______________________

Over the last few months we've twice sung the wonderful tune "Hyfrydol," written by Welsh musician Roland Prichard (1811-1887): once with the Advent carol "Come, Thou Long-Expected Jesus" and also with the text "Alleluia! Sing to Jesus." Today we'll have an opportunity to enjoy this majestic melody one more time, sung with "I Will Sing the Wondrous Story," a hymn text composed by American Baptist minister Francis H. Rowley (1854-1952) who served churches in Massachusetts, Pennsylvania, and Illinois, and was also actively involved in the growing animal welfare movement of that era. Rowley later recounted the creation of this song, a collaborative effort with a friend and gifted musician. 

I was minister of the First Baptist Church of North Adams, Massachusetts, in 1886. The church and community were experiencing a period of unusual interest in religious matters, and I was assisted by a remarkable young singer by the name of Peter Bilhorn. One night after the close of the service he said, ‘Why don’t you write a hymn for me to set to music?’ During the night these verses came to me. The original poem began, ‘Can’t you sing the wondrous story?’ but when the song was first published by Sankey in 1887 the phrase was changed to “I will sing..." (Kenneth Osbeck, 101 Hymn Stories, p. 114). 

First published in Ira Sankey's collection Sacred Songs and Solos, Rowley's text was matched with Peter Bilhorn's original tune, which was full of lively dotted rhythms and had a march-like quality.  However, in more recent hymnals "I Will Sing the Wondrous Story" is often paired with "Hyfrydol," perhaps because it this tune is better-known today and is also slightly easier to sing.  The entire hymn is focused on proclaiming Christ's story and describes how we are redeemed because of his sacrificial death on our behalf. The soaring third verse paints a picture of our future as believers, together with Christ and reunited with loved ones in heaven,  singing "with the saints in glory." 

If this hymn is new to you and you'd like to hear a recording with singing, here is a congregational version from St. Mark's Church in Maida Vale (West London, England), and here's a recording from the Epworth Singers and another from the Scottish Festival Singers. Feel free to listen to any of these recordings, then come on back here to sing the wondrous story!









I will sing the wondrous story
Of the Christ who died for me.
How He left His home in glory
For the cross of Calvary.
I was lost, but Jesus found me,
Found the sheep that went astray,
Threw His loving arms around me,
Drew me back into His way.

I was bruised, but Jesus healed me;
Faint was I from many a fall;
Sight was gone, and fears possessed me,
But He freed me from them all.
Days of darkness still come o'er me,
Sorrow's paths I often tread,
But the Savior still is with me;
By His hand I'm safely led.

He will keep me till the river
Rolls its waters at my feet;
Then He'll bear me safely over,
Where the loved ones I shall meet.
Yes, I'll sing the wondrous story
Of the Christ who died for me,
Sing it with the saints in glory,
Gathered by the crystal sea.

Come, Ye Disconsolate



Words by Thomas Moore and Thomas Hastings, Music by Samuel Webbe

Exodus 25:22
There I will meet with you, and from above the mercy seat, from between the two cherubim that are on the ark of the testimony, I will speak with you about all that I will give you in commandment for the people of Israel.

Psalm 23:4

Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me.

Jeremiah 31:13
I will turn their mourning into joy;
I will comfort them, and give them gladness for sorrow.

2 Corinthians 1:3-7
Blessed be the God and Father of our Lord Jesus Christ, the Father of mercies and God of all comfort, who comforts us in all our affliction, so that we may be able to comfort those who are in any affliction, with the comfort with which we ourselves are comforted by God. For as we share abundantly in Christ's sufferings, so through Christ we share abundantly in comfort too. If we are afflicted, it is for your comfort and salvation; and if we are comforted, it is for your comfort, which you experience when you patiently endure the same sufferings that we suffer. Our hope for you is unshaken, for we know that as you share in our sufferings, you will also share in our comfort.

John 6:35
Jesus said to them, “I am the bread of life; whoever comes to me shall not hunger, and whoever believes in me shall never thirst.
___________________________________________

Just as there is a place in hymnody for hymns with lyrics like "now I am happy all the day," there is also a place for hymns that reflect a spirit in pain or a time of struggle...lyrics that "get real" about the ups and downs of daily life, just as the Psalms portray a vast range of human emotions. "Come, Ye Disconsolate" is one of those hymns that "gets real" about our need for deep comfort and assurance.  Disconsolate is a word that means "cheerless, dejected, downcast"...seemingly beyond consolation.  Rather than gloss over the fact that Christians can and sometimes do feel disconsolate, this hymn validates that emotion and then provides hope for the hurting, just as Jesus did when he said, "Come to me, all who labor and are heavy laden, and I will give you rest." (Matthew 11:28). 

Irish lawyer and poet Thomas Moore (1779-1852) was considered to be the "voice of Ireland" in the same way that Robert Burns is the beloved literary representative of Scotland. Moore was a friend of English Romantic poets Lord George Gordon Byron and Percy Bysshe Shelley, and was extremely active in both literary and political circles during his lifetime. His best known work was a collection of secular verses titled Irish Melodies, which contained "The Last Rose of Summer" and was published in ten volumes between 1808 and 1834. But Moore also wrote a hymn collection titled Sacred Songs, and "Come, Ye Disconsolate" is the only song from this collection still frequently sung today. This comforting text was paired with a simple but powerfully consoling tune written in 1792 by British organist and composer Samuel Webbe (1740-1816).  In an 1831 publication of this hymn in Spiritual Songs for Social Worship, the American educator, choral conductor and musician Thomas Hastings (1784-1872) revised the third stanza and it is this version that we will be singing today.

This beautiful hymn has resonated with so many people over nearly three centuries because it acknowledges that pain and suffering are real, but also provides hope and an invitation to draw near to the Comforter, our Redeemer, who offers healing and new life to all.  If this hymn is new to you, here is a beautiful recording from the Harding University Choir that you may enjoy, and here's a performance from the Baylor University Men's A Capella Choir singing a lovely choral arrangement of this hymn by Terre Johnson.  





Come, you disconsolate, where'er you languish;
come to the *mercy seat, fervently kneel.
Here bring your wounded hearts, here tell your anguish;
earth has no sorrows that heaven cannot heal.

Joy of the desolate, light of the straying,
hope of the penitent, fadeless and pure!
Here speaks the Comforter, in mercy saying,
"Earth has no sorrows that heaven cannot cure."

Here see the bread of life; see waters flowing
forth from the throne of God, pure from above.
Come to the feast prepared; come, ever knowing
earth has no sorrows but heaven can remove.

*According to C. Michael Hawn, the mercy seat is "a term drawn originally from Old Testament sources related to the Ark of the Covenant. Early in nineteenth century revivalism, the 'mercy seat' was associated with the 'mourner’s bench,' or that place where those making a profession of faith would gather at the end of the service for prayer and instruction."
 
Forth In Thy Name, O Lord, I Go

Music by Charles Wesley, Music by John Hatton, "Duke Street" tune

Psalm 71:15-16

My mouth will tell of your righteous acts,
of your deeds of salvation all the day,
for their number is past my knowledge.
With the mighty deeds of the Lord God I will come;
I will remind them of your righteousness, yours alone.

1 Timothy 6:11-12
But as for you, O man of God, flee these things. Pursue righteousness, godliness, faith, love, steadfastness, gentleness. Fight the good fight of the faith. Take hold of the eternal life to which you were called and about which you made the good confession in the presence of many witnesses.

Colossians 1:9-10

And so, from the day we heard, we have not ceased to pray for you, asking that you may be filled with the knowledge of his will in all spiritual wisdom and understanding, so as to walk in a manner worthy of the Lord, fully pleasing to him: bearing fruit in every good work and increasing in the knowledge of God

Colossians 3:23-24
Whatever you do, work heartily, as for the Lord and not for men, knowing that from the Lord you will receive the inheritance as your reward. You are serving the Lord Christ.
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It seems that every few weeks or so another compelling hymn written by Charles Wesley (1707-1788) makes an appearance here on Notes of Glory. With a compositional output of some 6,500 hymns covering countless aspects of the Christian faith and life, it's no wonder that Wesley has a stalwart presence in most hymnals. Today's hymn, "Forth in thy name, O Lord, I Go" not only functions as a wonderful benediction but also is a strong hymn of commitment to faithfulness in all areas of life, especially one's vocation. In addition, it is a prayer for cheerfulness in daily work and for a focus on God "in all (I) think or speak or do." Wesley's hymn also speaks to a personal relationship with the Lord, ending with a desire to "closely walk with thee to heaven."  What a wonderful hymn to sing at the beginning of a fresh new week!

The music matched with Wesley's text is "Duke Street" written by British composer John Hatton (1710-1793).  A few weeks ago we sang "Duke Street" as the melody for the great hymn "Jesus Shall Reign" on the January 17 edition of Notes of Glory, so this tune should still be lightly ringing in your ears! If you'd like to hear a recording of this hymn with singing, here's one from the Choral Arts Society of Washington Chamber Singers.  



Forth in thy name, O Lord, I go,
my daily labour to pursue;
thee, only thee, resolved to know
in all I think or speak or do.

The task thy wisdom hath assigned,
oh, let me cheerfully fulfil;
in all my works thy presence find,
and prove thy good and perfect will.

Thee may I set at my right hand,
whose eyes mine in-most substance see,
and labor on at thy command,
and offer all my works to thee.

For thee delightfully employ
whate'er thy bounteous grace has given;
and run my course with even joy,
and closely walk with thee to heaven.

POSTLUDE
(to send you forth with joy!)

Blessing and Honor and Glory and Power



Words by Horatio Bonar, Music by Matthias Keller, "American Hymn" tune.  Solo piano arrangement by Terry Osman

Ephesians 3:20-21
Now to him who is able to do far more abundantly than all that we ask or think, according to the power at work within us, to him be glory in the church and in Christ Jesus throughout all generations, forever and ever. Amen.

Jude 1:25
To the only God, our Savior, through Jesus Christ our Lord, be glory, majesty, dominion, and authority, before all time and now and forever. Amen.

Revelation 5:11-13
Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice,
“Worthy is the Lamb who was slain,
to receive power and wealth and wisdom and might
and honor and glory and blessing!”
And I heard every creature in heaven and on earth and under the earth and in the sea, and all that is in them, saying,
“To him who sits on the throne and to the Lamb
be blessing and honor and glory and might forever and ever!”

Revelation 7:9-12
After this I looked, and behold, a great multitude that no one could number, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, clothed in white robes, with palm branches in their hands, and crying out with a loud voice, “Salvation belongs to our God who sits on the throne, and to the Lamb!” And all the angels were standing around the throne and around the elders and the four living creatures, and they fell on their faces before the throne and worshiped God, saying, “Amen! Blessing and glory and wisdom and thanksgiving and honor and power and might be to our God forever and ever! Amen.”
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Using praise language drawn directly from the book of Revelation, "Blessing and Honor and Glory and Power" leads us to worship the risen and victorious Christ.  It was originally subtitled "The Song of the Lamb" and was printed with the heading "addressed to all the saints and angels" when first published in 1866 by Scottish hymnwriter and minister Horatio Bonar (1808-1889). This is the second appearance by Horatio Bonar on "Notes of Glory:" his hymn "I Heard the Voice of Jesus Say" was featured in our July 26, 2020 post.  

As part of a family that had served the Church of Scotland for over 350 years, Horatio Bonar followed his ancestors into the ministry. He was a prolific author and composed over 600 hymns (poems) as well as a number of books, including Truth and Error and The Night of Weeping, or Words for the Suffering Family of God. Bonar was well acquainted with suffering, having lost five young children in a short period of time. However, according to writer Dan Graves, in Bonar's later years, his widowed daughter and her five children moved in with him. "Many grandparents would groan at the added burden, but Bonar rejoiced. To him it was as if God had given him five children to replace those he had lost."

The noble melody matched here with "Blessing and Honor and Glory and Power" is titled "American Hymn" and was composed by Matthias Keller (1813-1875). Keller was born in Germany and studied music in Stuttgart and Vienna, where he also worked as an army bandmaster and played violin in the Viennese Royal Chapel.  In 1846 he emigrated to America and worked as a violin maker and performer. In 1866,  Keller entered a competition for composition of an original national hymn. His "American Hymn" did not win (in fact, there were no prize winners), but several years later, the tune was combined with a poem by Dr. Oliver Wendell Holmes, resulting in the song "Hymn of Peace." This song was premiered on the first day of the 1869 "Great National Peace Jubilee" in Boston, held to commemorate the end of the Civil War.  As a result of its successful reception at the Peace Jubilee, "Hymn of Peace" became very popular and Keller's "national hymn" tune was soon successfully adapted for use with other hymn texts, including Bonar's  "Blessing and Honor and Glory and Power."  

May the words of Bonar's Scripture-inspired hymn encourage you as you go forth in Christ's name this week, renewed for the journey, and with praise in your heart!

Give we the glory and praise to the Lamb;
take we the robe and the harp and the palm;
sing we the song of the Lamb that was slain,
dying in weakness, but rising to reign.


Blessing and honor and glory and pow'r,
wisdom and riches and strength evermore
give ye to him who our battle hath won,
whose are the kingdom, the crown, and the throne.

Soundeth the heav'n of the heav'ns with his name;
ringeth the earth with his glory and fame;
ocean and mountain, stream, forest, and flow'r
echo his praises and tell of his pow'r.

Ever ascendeth the song and the joy;
ever descendeth the love from on high;
blessing and honor and glory and praise-—
this is the theme of the hymns that we raise.

Give we the glory and praise to the Lamb;
take we the robe and the harp and the palm;
sing we the song of the Lamb that was slain,
dying in weakness, but rising to reign.

Here's a playlist with all the music featured in today's post: