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Saturday, July 25, 2020

Music for At-Home Worship: Sunday, July 26



What a privilege it is to worship You today, Lord. We lift our voices as a unified choir of believers even if we are separated by distance, singing in our own homes. May our hearts be joined in praise this weekend as we focus on You, the Savior of the world, our precious Redeemer. 

Welcome!

Here you will find music for at-home musical worship during this ongoing season when so many of us are at home so much of the time. You can listen to a piano prelude that will help you to enter into a spirit of worship.  And then . . . the singing begins!

You'll find simple piano accompaniments for each hymn that will help you to sing with joy.  (Each hymn has been transposed down a step or two so that you don't have to fear the highest notes!).  You'll also find Bible verses that thematically relate to the hymn lyrics (or, in many cases, directly inspired them), as well as historical background about the text author and musical composer.  Some songs may be new to you, so the printed music may be helpful (if you're a music reader): if not, you'll find links to recordings of the hymns with singing so that you can get a feel of what the hymn will sound like (or you can listen to the piano accompaniment once, and then join in the second time).  At the end of each week's post, you'll hear a piano postlude intended to send you forth with a refreshed and renewed spirit!

The lyrics and Scripture are beautiful to meditate upon all on their own. Most historical hymns were written first as poems, and it can be meaningful to read or speak the lyrics as well as singing them. I've provided the lyrics for the prelude and postlude selections so that you can read them while you listen to the piano arrangements.

If you would like to hear any of your favorite hymns from past "Notes of Glory" posts again, here is an alphabetical list, with each hymn linked to the post where it first appeared (dating back to the very first post on March 22, 2020).

Complete "Notes of Glory" Song List

IF YOU ARE LISTENING/VIEWING ON A MOBILE DEVICE/TABLET:

If given an option on your mobile device, click "LISTEN IN BROWSER" (rather than "Play on SoundCloud") on the audio player windows so that you stay on this page and can sing along using the printed lyrics.



PRELUDE
(to help you prepare to worship) 

I Heard the Voice of Jesus Say


Words by Horatio Bonar. Music: "Kingsfold" (traditional English folk melody). Arranged for solo piano by Lloyd Larson


Matthew 11:28-30
“Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light.”

John 4:9-14
The Samaritan woman said to him, “You are a Jew and I am a Samaritan woman. How can you ask me for a drink?” (For Jews do not associate with Samaritans).

Jesus answered her, “If you knew the gift of God and who it is that asks you for a drink, you would have asked him and he would have given you living water.”

“Sir,” the woman said, “you have nothing to draw with and the well is deep. Where can you get this living water? Are you greater than our father Jacob, who gave us the well and drank from it himself, as did also his sons and his livestock?”

Jesus answered, “Everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life.”

John 8:12
When Jesus spoke again to the people, he said, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”
______________________________

As part of a family that had served the Church of Scotland for over 350 years, Horatio Bonar (1808-1889) followed his ancestors into the ministry.  He was a prolific author and composed over 600 hymns (poems) as well as a number of books, including Truth and Error and  The Night of Weeping, or Words for the Suffering Family of God.  Bonar was well acquainted with suffering, having lost five young children in a short period of time. One of his best-loved hymns, "I Heard the voice of Jesus Say" (1846) focuses on the life-giving words of Jesus (who Himself is the Word) in the books of Matthew and John: scroll up to see the Scripture passages that directly inspired each verse of Bonar's text.  You can see photos of Bonar's original handwritten manuscript of this hymn as well as early printed versions here. The plaintive melody is an English folk tune, matched with "I Heard the Voice of Jesus Say" for the first time in 1906 by British composer Ralph Vaughan Williams in The English Hymnal.



I heard the voice of Jesus say,
"Come unto me and rest;
lay down, O weary one, lay down
your head upon my breast."
I came to Jesus as I was,
weary and worn and sad;
I found in him a resting place,
and he has made me glad.

I heard the voice of Jesus say,
"Behold, I freely give
the living water; thirsty one,
stoop down and drink, and live."
I came to Jesus, and I drank
of that life-giving stream;
my thirst was quenched, my soul revived,
and now I live in him.

I heard the voice of Jesus say,
"I am this dark world's Light;
look unto me, your morn shall rise,
and all your days be bright."
I looked to Jesus and I found
in him my Star, my Sun;
and in that light of life I'll walk,
'til trav'ling days are done.


Praise the Lord! Ye Heavens, Adore Him

Music: Anonymous (v. 1-2),  Edward Osier (v.3).  Music by Franz Joseph Haydn.

Psalm 148
Praise the Lord!
Praise the Lord from the heavens;
praise him in the heights!
Praise him, all his angels;
praise him, all his hosts!

Praise him, sun and moon,
praise him, all you shining stars!
Praise him, you highest heavens,
and you waters above the heavens!

Let them praise the name of the Lord!
For he commanded and they were created.
And he established them forever and ever;
he gave a decree, and it shall not pass away.

Praise the Lord from the earth,
you great sea creatures and all deeps,
fire and hail, snow and mist,
stormy wind fulfilling his word!

Mountains and all hills,
fruit trees and all cedars!
Beasts and all livestock,
creeping things and flying birds!

Kings of the earth and all peoples,
princes and all rulers of the earth!
Young men and maidens together,
old men and children!

Let them praise the name of the Lord,
for his name alone is exalted;
his majesty is above earth and heaven.
He has raised up a horn for his people,
praise for all his saints,
for the people of Israel who are near to him.
Praise the Lord!
________________________________

Every once in a while something that is an "extra" holds something of great value. "Praise the Lord, Ye Heavens Adore Him" first appeared in a four-page tract titled, "Praise. For Foundling Apprentices Attending Divine Service to return Thanks" that was attached to the book Psalms, Hymns, and Anthems of the Foundling Hospital, London, published in 1796. The Foundling Hospital was an orphanage, established in 1739, which became famous over time for the singing of the children who lived there: Georg Frederic Handel and Charles Dickens were among its public supporters. Of all the hymns in this collection "Praise the Lord, ye Heavens Adore Him," originally part of that added-in booklet, is one of the best known today.

The author of the first two verses of the text are unknown: the third verse was written by Edmund Osler (1798-1863) and included in his 1837 book Church and King.  All verses detail the many ways in which God's creation can praise the Creator, and were inspired by Psalm 148. "Praise the Lord"  is frequently set to a melody by composer Franz Joseph Haydn (1732-1809) titled "Austrian Hymn." You can hear a recording of this hymn by the Choir of King's College, Cambridge here.




Praise the Lord! ye heav'ns, adore Him;
Praise Him, angels, in the height.
Sun and moon, rejoice before Him;
Praise Him, all ye stars of light.
Praise the Lord! for He hath spoken;
Worlds His mighty voice obeyed.
Law which never shall be broken
For their guidance hath He made.

Praise the Lord! for He is glorious;
Never shall His promise fail.
God hath made His saints victorious;
Sin and death shall not prevail.
Praise the God of our salvation!
Hosts on high, His power proclaim.
Heav'n and earth and all creation
Laud and magnify His name.

Worship, honor, glory, blessing,
Lord, we offer unto Thee.
Young and old, Thy praise expressing,
In glad homage bend the knee.
All the saints in heav'n adore Thee;
We would bow before Thy throne.
As Thine angels serve before Thee,
So on earth Thy will be done.

O Love that Will Not Let Me Go



Words by George Matheson, tune by Albert L. Peace


Jeremiah 31:3
The Lord appeared to us in the past, saying:
“I have loved you with an everlasting love;
I have drawn you with unfailing kindness.

Psalm 139:7-10
Where can I go from your Spirit?
Where can I flee from your presence?
If I go up to the heavens, you are there;
if I make my bed in the depths, you are there.
If I rise on the wings of the dawn,
if I settle on the far side of the sea,
even there your hand will guide me,
your right hand will hold me fast.

Romans 8:35-39
Who shall separate us from the love of Christ? Shall trouble or hardship or persecution or famine or nakedness or danger or sword? As it is written:
“For your sake we face death all day long;
we are considered as sheep to be slaughtered.”
No, in all these things we are more than conquerors through him who loved us. For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any powers, neither height nor depth, nor anything else in all creation, will be able to separate us from the love of God that is in Christ Jesus our Lord.
_______________________________

At age 19, George Matheson (1842-1906) was engaged to be married and was headed for a bright future as a star student at Glasgow University. His sight had been poor since childhood but began to worsen and his fiancee abandoned him, saying that she could not envision a life as the wife of a blind man. Despite his heartbreak, Matheson continued preparing for the ministry, and eventually lost his sight completely. He became a minister and writer and was cared for and helped in his work by his older sister Jane as well as his younger sisters, Margaret and Ellen. On the night before Margaret's wedding in 1882, 40-year old Matheson (now known to many as "the blind preacher") experienced feelings of melancholy and later wrote:
My hymn was composed in the manse of Innellan on the evening of the 6th of June, 1882, when I was 40 years of age. I was alone in the manse at that time. It was the night of my sister’s marriage, and the rest of the family were staying overnight in Glasgow. Something happened to me, which was known only to myself, and which caused me the most severe mental suffering. 
The hymn was the fruit of that suffering. It was the quickest bit of work I ever did in my life. I had the impression of having it dictated to me by some inward voice rather than of working it out myself. I am quite sure that the whole work was completed in five minutes, and equally sure that it never received at my hands any retouching or correction. I have no natural gift of rhythm. All the other verses I have ever written are manufactured articles; this came like a dayspring from on high.
The organist at Glasgow Cathedral, Albert Peace (1844-1912) was invited to compose a melody for "O Love that Wilt not Let Me Go" in 1884 and later commented on the process, "the ink of the first note was hardly dry when I had finished the tune." The text and melody beautifully convey the deep, sustaining, redeeming love of Christ.  Here is a recording of the Gaither Vocal Band singing David Phelps' arrangement of this hymn, and here is a recording of the Westminster Chorus singing the same Phelps arrangement (both are beautiful interpretations!)  You can read more about the life and tremendous ministry of George Matheson here



O Love that will not let me go,
I rest my weary soul in thee;
I give thee back the life I owe,
that in thine ocean depths its flow
may richer, fuller be.

O Light that follow'st all my way,
I yield my flick'ring torch to thee;
my heart restores its borrowed ray,
that in thy sunshine's blaze its day
may brighter, fairer be.

O Joy that seekest me through pain,
I cannot close my heart to thee;
I trace the rainbow thro' the rain,
and feel the promise is not vain
that morn shall tearless be.

O Cross that liftest up my head,
I dare not ask to fly from thee;
I lay in dust life's glory dead,
and from the ground there blossoms red,
life that shall endless be.

Take the World But Give Me Jesus


Words by Frances ("Fanny") Crosby. Music by John Robson Sweney

Mark 8:34-37
And calling the crowd to him with his disciples, he said to them, “If anyone would come after me, let him deny himself and take up his cross and follow me. For whoever would save his life will lose it, but whoever loses his life for my sake and the gospel's will save it. For what does it profit a man to gain the whole world and forfeit his soul? For what can a man give in return for his soul?

1 John 3:1-2
See what kind of love the Father has given to us, that we should be called children of God; and so we are. The reason why the world does not know us is that it did not know him. Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is.

______________________________

One of the greatest hymn writers of all time, Frances ("Fanny") Crosby (1820-1915) has been featured here in previous weeks: see the May 10 post which included "Blessed Assurance" for biographical information as well as a link to a film about her life.  She wrote over 9,000 hymns (often using pseudonymns) and sometimes found inspiration for the idea of a hymn from a conversation or real-life event.

In her book Memories of Eighty Years Crosby recalled, "one day someone was talking about wealth, and he said, 'if I had wealth, I would be able to do just what I wish I could do, and I would be able to make an appearance in the world.' I replied, 'Take the world, but give me Jesus.' That remark led me to write the hymn having that title."

Composer John Robson Sweney (1837-1899) wrote over 1,000 gospel songs including "Sunshine in My Soul."  He collaborated with Fanny Crosby on "Take the World and Give Me Jesus" and also composed melodies for Crosby's hymns "My Savior First of All," "Tell Me the Story of Jesus," and "Unsearchable Riches."

Here is the Haven of Rest Quartet singing "Take the World, But Give Me Jesus." Here is Memories of Eighty Years (Fanny Crosby's autobiography) in its entirety, free to read online.

Public domain. Courtesy of Cyber Hymnal



Take the world, but give me Jesus,
All its joys are but a name;
But His love abideth ever,
Thru eternal years the same.

Refrain:
O the height and depth of mercy!
O the length and breadth of love!
O the fullness of redemption,
Pledge of endless life above!

Take the world, but give me Jesus,
Sweetest comfort of my soul;
With my Savior watching o’er me,
I can sing tho billows roll. (Refrain)

Take the world, but give me Jesus,
Let me view His constant smile;
Then throughout my pilgrim journey
Light will cheer me all the while. (Refrain)

Take the world, but give me Jesus.
In His cross my trust shall be,
Till, with clearer, brighter vision,
Face to face my Lord I see. (Refrain)

POSTLUDE
(to send you forth with joy!)

And Can It Be?


Words by Charles Wesley. Music by Thomas Campbell.  Solo piano arrangement by Mark Hayes.


Romans 5:8
But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.

Philippians 2:5-8
Have this mind among yourselves, which is yours in Christ Jesus, who, though he was in the form of God, did not count equality with God a thing to be grasped, but emptied himself, by taking the form of a servant, being born in the likeness of men. And being found in human form, he humbled himself by becoming obedient to the point of death, even death on a cross.

Acts 16:26
Suddenly there was such a violent earthquake that the foundations of the prison were shaken. At once all the prison doors flew open, and everyone’s chains came loose.

Romans 8:1-4
There is therefore now no condemnation for those who are in Christ Jesus. For the law of the Spirit of life has set you free in Christ Jesus from the law of sin and death. For God has done what the law, weakened by the flesh, could not do. By sending his own Son in the likeness of sinful flesh and for sin, he condemned sin in the flesh, in order that the righteous requirement of the law might be fulfilled in us, who walk not according to the flesh but according to the Spirit.
______________________________

Charles Wesley (1707-1788), composer of over 6500 hymns, is believed to have written "And Can It Be" shortly after his 1738 conversion experience. He expresses his wonder and astonishment at the gift of salvation, and describes the sense of freedom that comes from believing in Christ. Here is an in-depth theological and devotional analysis of the hymn. "Sagina," the tune for "And Can it Be" was written by Thomas Campbell (1777-1844), of whom little is known other than the fact that he wrote a collection of 23 hymn tunes titled The Bouquet (each tune featured a horticulturally-themed name). This is a wonderful hymn to sing if you enjoy lots of lively melodic skips and leaps!  Here it's rendered in a solo piano arrangement by the eminent composer, pianist, and arranger Mark Hayes.

And can it be that I should gain
an int'rest in the Saviour's blood?
Died He for me who caused His pain?
For me, who Him to death pursued?
Amazing love! how can it be
that Thou, my God, shouldst die for me?
Amazing love! how can it be
that Thou, my God, shouldest die for me!

He left His Father's throne above,
so free, so infinite His grace!
Emptied Himself and came in love,
and bled for Adam's helpless race!
'tis mercy all, immense and free,
for, O my God, it found out me.
Amazing love! how can it be
that Thou, my God, shouldest die for me!

Long my imprisoned spirit lay,
fast bound in sin and nature's night.
Thine eye diffused a quick'ning ray;
I woke-- the dungeon flamed with light!
My chains fell off, my heart was free;
I rose, went forth, and followed Thee.
Amazing love! how can it be
that Thou, my God, shouldest die for me!

No condemnation now I dread;
Jesus and all in him is mine!
Alive in Him, my living Head,
and clothed in righteousness divine!
Bold I approach th'eternal throne,
and claim the crown through Christ my own!
Amazing love! how can it be
that Thou, my God, shouldest die for me!
Sun and moon, rejoice before Him;

Friday, February 5, 2021

Music for Anywhere Worship: Sunday, February 7, 2021


Welcome!  This is the day that the Lord has made; let us rejoice and be glad in it (Psalm 118:24). We rejoice in the wonder of a new day, full of opportunities to lift our voices in praise wherever we are! Even if we can't worship together at our churches, this is a space where we can commune in spirit with one another and the Lord by singing beautiful songs of praise and adoration "with heart and soul and voice." May the music, stories, Scripture and images shared here encourage you in your faith and help you to lift high the name of Christ as you start a new week. 

If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows). 

Here's an alphabetical list of all "Notes of Glory" music with links so that you can revisit your favorite hymns/songs and sing them once again!


PRELUDE
(to help you prepare to worship)

Will You Come and Follow Me?



Words by John Bell. "Kelvingrove" traditional Scottish tune.  Arranged by C. E. Walz for solo piano

Isaiah 6:8
And I heard the voice of the Lord saying, “Whom shall I send, and who will go for us?” Then I said, “Here I am! Send me."

Mark 1:16-18
Passing alongside the Sea of Galilee, he saw Simon and Andrew the brother of Simon casting a net into the sea, for they were fishermen. And Jesus said to them, “Follow me, and I will make you become fishers of men.” And immediately they left their nets and followed him.

John 12:25-26
Whoever loves his life loses it, and whoever hates his life in this world will keep it for eternal life.  If anyone serves me, he must follow me; and where I am, there will my servant be also. If anyone serves me, the Father will honor him.
_______________________________

This lyrical piano arrangement is based on a traditional Scottish tune, "Kelvingrove," which first appeared in print in The Harp of Kenfrewshire in 1820. The text that originally accompanied this tune was a love song, and the setting was near the river Kelvin in northern Glasgow. Several contemporary hymn composers have used this beautiful melody as a setting for their hymn texts, including Brian Wren in "Will You Come and See the Light from the Stable Door?" and Christopher Idle in "When You Prayed Beneath the Trees." Scottish composer John Bell (b. 1949) also used "Kelvingrove" as the basis for his 1987 hymn, "Will You Come and Follow Me" (sometimes titled "The Summons").  The first stanza of the text is shown below: the hymn invites singers to commit fully to following Christ and serving the needy in His name.  C. E. Walz's piano solo arrangement of Kelvingrove  has a simple, warm, and inviting quality: may this serene music prepare your heart for worship today.


Will you come and follow Me
If I but call your name?
Will you go where you don't know
And never be the same?
Will you let My love be shown,
Will you let My name be known,
Will you let My life be grown
In you and you in Me?

CCLI Song # 1040329
Graham Maule | John L. Bell
© 1987 WGRG, c/o Iona Community, Glasgow, Scotland (Admin. by Wild Goose Resource Group)
For use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.com
CCLI License # 419384

HYMNS TO SING ANYWHERE 
(transposed to easily singable keys!)

I Will Sing the Wondrous Story



Words by Francis H. Rowley, Music by Rowland Hugh Prichard, "Hyfrydol" hymn tune

Psalm 66:16
Come and hear, all you who fear God,
and I will tell what he has done for my soul.

Psalm 89:1
I will sing of the steadfast love of the Lord, forever;
with my mouth I will make known your faithfulness to all generations.


John 10:14-15
I am the good shepherd. I know my own and my own know me, just as the Father knows me and I know the Father; and I lay down my life for the sheep.

Revelation 4:1-5
After this I looked, and behold, a door standing open in heaven! And the first voice, which I had heard speaking to me like a trumpet, said, “Come up here, and I will show you what must take place after this.” At once I was in the Spirit, and behold, a throne stood in heaven, with one seated on the throne. And he who sat there had the appearance of jasper and carnelian, and around the throne was a rainbow that had the appearance of an emerald. Around the throne were twenty-four thrones, and seated on the thrones were twenty-four elders, clothed in white garments, with golden crowns on their heads. From the throne came flashes of lightning, and rumblings and peals of thunder, and before the throne were burning seven torches of fire, which are the seven spirits of God, and before the throne there was as it were a sea of glass, like crystal.
______________________

Over the last few months we've twice sung the wonderful tune "Hyfrydol," written by Welsh musician Roland Prichard (1811-1887): once with the Advent carol "Come, Thou Long-Expected Jesus" and also with the text "Alleluia! Sing to Jesus." Today we'll have an opportunity to enjoy this majestic melody one more time, sung with "I Will Sing the Wondrous Story," a hymn text composed by American Baptist minister Francis H. Rowley (1854-1952) who served churches in Massachusetts, Pennsylvania, and Illinois, and was also actively involved in the growing animal welfare movement of that era. Rowley later recounted the creation of this song, a collaborative effort with a friend and gifted musician. 

I was minister of the First Baptist Church of North Adams, Massachusetts, in 1886. The church and community were experiencing a period of unusual interest in religious matters, and I was assisted by a remarkable young singer by the name of Peter Bilhorn. One night after the close of the service he said, ‘Why don’t you write a hymn for me to set to music?’ During the night these verses came to me. The original poem began, ‘Can’t you sing the wondrous story?’ but when the song was first published by Sankey in 1887 the phrase was changed to “I will sing..." (Kenneth Osbeck, 101 Hymn Stories, p. 114). 

First published in Ira Sankey's collection Sacred Songs and Solos, Rowley's text was matched with Peter Bilhorn's original tune, which was full of lively dotted rhythms and had a march-like quality.  However, in more recent hymnals "I Will Sing the Wondrous Story" is often paired with "Hyfrydol," perhaps because it this tune is better-known today and is also slightly easier to sing.  The entire hymn is focused on proclaiming Christ's story and describes how we are redeemed because of his sacrificial death on our behalf. The soaring third verse paints a picture of our future as believers, together with Christ and reunited with loved ones in heaven,  singing "with the saints in glory." 

If this hymn is new to you and you'd like to hear a recording with singing, here is a congregational version from St. Mark's Church in Maida Vale (West London, England), and here's a recording from the Epworth Singers and another from the Scottish Festival Singers. Feel free to listen to any of these recordings, then come on back here to sing the wondrous story!









I will sing the wondrous story
Of the Christ who died for me.
How He left His home in glory
For the cross of Calvary.
I was lost, but Jesus found me,
Found the sheep that went astray,
Threw His loving arms around me,
Drew me back into His way.

I was bruised, but Jesus healed me;
Faint was I from many a fall;
Sight was gone, and fears possessed me,
But He freed me from them all.
Days of darkness still come o'er me,
Sorrow's paths I often tread,
But the Savior still is with me;
By His hand I'm safely led.

He will keep me till the river
Rolls its waters at my feet;
Then He'll bear me safely over,
Where the loved ones I shall meet.
Yes, I'll sing the wondrous story
Of the Christ who died for me,
Sing it with the saints in glory,
Gathered by the crystal sea.

Come, Ye Disconsolate



Words by Thomas Moore and Thomas Hastings, Music by Samuel Webbe

Exodus 25:22
There I will meet with you, and from above the mercy seat, from between the two cherubim that are on the ark of the testimony, I will speak with you about all that I will give you in commandment for the people of Israel.

Psalm 23:4

Even though I walk through the valley of the shadow of death, I will fear no evil, for you are with me; your rod and your staff, they comfort me.

Jeremiah 31:13
I will turn their mourning into joy;
I will comfort them, and give them gladness for sorrow.

2 Corinthians 1:3-7
Blessed be the God and Father of our Lord Jesus Christ, the Father of mercies and God of all comfort, who comforts us in all our affliction, so that we may be able to comfort those who are in any affliction, with the comfort with which we ourselves are comforted by God. For as we share abundantly in Christ's sufferings, so through Christ we share abundantly in comfort too. If we are afflicted, it is for your comfort and salvation; and if we are comforted, it is for your comfort, which you experience when you patiently endure the same sufferings that we suffer. Our hope for you is unshaken, for we know that as you share in our sufferings, you will also share in our comfort.

John 6:35
Jesus said to them, “I am the bread of life; whoever comes to me shall not hunger, and whoever believes in me shall never thirst.
___________________________________________

Just as there is a place in hymnody for hymns with lyrics like "now I am happy all the day," there is also a place for hymns that reflect a spirit in pain or a time of struggle...lyrics that "get real" about the ups and downs of daily life, just as the Psalms portray a vast range of human emotions. "Come, Ye Disconsolate" is one of those hymns that "gets real" about our need for deep comfort and assurance.  Disconsolate is a word that means "cheerless, dejected, downcast"...seemingly beyond consolation.  Rather than gloss over the fact that Christians can and sometimes do feel disconsolate, this hymn validates that emotion and then provides hope for the hurting, just as Jesus did when he said, "Come to me, all who labor and are heavy laden, and I will give you rest." (Matthew 11:28). 

Irish lawyer and poet Thomas Moore (1779-1852) was considered to be the "voice of Ireland" in the same way that Robert Burns is the beloved literary representative of Scotland. Moore was a friend of English Romantic poets Lord George Gordon Byron and Percy Bysshe Shelley, and was extremely active in both literary and political circles during his lifetime. His best known work was a collection of secular verses titled Irish Melodies, which contained "The Last Rose of Summer" and was published in ten volumes between 1808 and 1834. But Moore also wrote a hymn collection titled Sacred Songs, and "Come, Ye Disconsolate" is the only song from this collection still frequently sung today. This comforting text was paired with a simple but powerfully consoling tune written in 1792 by British organist and composer Samuel Webbe (1740-1816).  In an 1831 publication of this hymn in Spiritual Songs for Social Worship, the American educator, choral conductor and musician Thomas Hastings (1784-1872) revised the third stanza and it is this version that we will be singing today.

This beautiful hymn has resonated with so many people over nearly three centuries because it acknowledges that pain and suffering are real, but also provides hope and an invitation to draw near to the Comforter, our Redeemer, who offers healing and new life to all.  If this hymn is new to you, here is a beautiful recording from the Harding University Choir that you may enjoy, and here's a performance from the Baylor University Men's A Capella Choir singing a lovely choral arrangement of this hymn by Terre Johnson.  





Come, you disconsolate, where'er you languish;
come to the *mercy seat, fervently kneel.
Here bring your wounded hearts, here tell your anguish;
earth has no sorrows that heaven cannot heal.

Joy of the desolate, light of the straying,
hope of the penitent, fadeless and pure!
Here speaks the Comforter, in mercy saying,
"Earth has no sorrows that heaven cannot cure."

Here see the bread of life; see waters flowing
forth from the throne of God, pure from above.
Come to the feast prepared; come, ever knowing
earth has no sorrows but heaven can remove.

*According to C. Michael Hawn, the mercy seat is "a term drawn originally from Old Testament sources related to the Ark of the Covenant. Early in nineteenth century revivalism, the 'mercy seat' was associated with the 'mourner’s bench,' or that place where those making a profession of faith would gather at the end of the service for prayer and instruction."
 
Forth In Thy Name, O Lord, I Go

Music by Charles Wesley, Music by John Hatton, "Duke Street" tune

Psalm 71:15-16

My mouth will tell of your righteous acts,
of your deeds of salvation all the day,
for their number is past my knowledge.
With the mighty deeds of the Lord God I will come;
I will remind them of your righteousness, yours alone.

1 Timothy 6:11-12
But as for you, O man of God, flee these things. Pursue righteousness, godliness, faith, love, steadfastness, gentleness. Fight the good fight of the faith. Take hold of the eternal life to which you were called and about which you made the good confession in the presence of many witnesses.

Colossians 1:9-10

And so, from the day we heard, we have not ceased to pray for you, asking that you may be filled with the knowledge of his will in all spiritual wisdom and understanding, so as to walk in a manner worthy of the Lord, fully pleasing to him: bearing fruit in every good work and increasing in the knowledge of God

Colossians 3:23-24
Whatever you do, work heartily, as for the Lord and not for men, knowing that from the Lord you will receive the inheritance as your reward. You are serving the Lord Christ.
_____________________________________________

It seems that every few weeks or so another compelling hymn written by Charles Wesley (1707-1788) makes an appearance here on Notes of Glory. With a compositional output of some 6,500 hymns covering countless aspects of the Christian faith and life, it's no wonder that Wesley has a stalwart presence in most hymnals. Today's hymn, "Forth in thy name, O Lord, I Go" not only functions as a wonderful benediction but also is a strong hymn of commitment to faithfulness in all areas of life, especially one's vocation. In addition, it is a prayer for cheerfulness in daily work and for a focus on God "in all (I) think or speak or do." Wesley's hymn also speaks to a personal relationship with the Lord, ending with a desire to "closely walk with thee to heaven."  What a wonderful hymn to sing at the beginning of a fresh new week!

The music matched with Wesley's text is "Duke Street" written by British composer John Hatton (1710-1793).  A few weeks ago we sang "Duke Street" as the melody for the great hymn "Jesus Shall Reign" on the January 17 edition of Notes of Glory, so this tune should still be lightly ringing in your ears! If you'd like to hear a recording of this hymn with singing, here's one from the Choral Arts Society of Washington Chamber Singers.  



Forth in thy name, O Lord, I go,
my daily labour to pursue;
thee, only thee, resolved to know
in all I think or speak or do.

The task thy wisdom hath assigned,
oh, let me cheerfully fulfil;
in all my works thy presence find,
and prove thy good and perfect will.

Thee may I set at my right hand,
whose eyes mine in-most substance see,
and labor on at thy command,
and offer all my works to thee.

For thee delightfully employ
whate'er thy bounteous grace has given;
and run my course with even joy,
and closely walk with thee to heaven.

POSTLUDE
(to send you forth with joy!)

Blessing and Honor and Glory and Power



Words by Horatio Bonar, Music by Matthias Keller, "American Hymn" tune.  Solo piano arrangement by Terry Osman

Ephesians 3:20-21
Now to him who is able to do far more abundantly than all that we ask or think, according to the power at work within us, to him be glory in the church and in Christ Jesus throughout all generations, forever and ever. Amen.

Jude 1:25
To the only God, our Savior, through Jesus Christ our Lord, be glory, majesty, dominion, and authority, before all time and now and forever. Amen.

Revelation 5:11-13
Then I looked, and I heard around the throne and the living creatures and the elders the voice of many angels, numbering myriads of myriads and thousands of thousands, saying with a loud voice,
“Worthy is the Lamb who was slain,
to receive power and wealth and wisdom and might
and honor and glory and blessing!”
And I heard every creature in heaven and on earth and under the earth and in the sea, and all that is in them, saying,
“To him who sits on the throne and to the Lamb
be blessing and honor and glory and might forever and ever!”

Revelation 7:9-12
After this I looked, and behold, a great multitude that no one could number, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, clothed in white robes, with palm branches in their hands, and crying out with a loud voice, “Salvation belongs to our God who sits on the throne, and to the Lamb!” And all the angels were standing around the throne and around the elders and the four living creatures, and they fell on their faces before the throne and worshiped God, saying, “Amen! Blessing and glory and wisdom and thanksgiving and honor and power and might be to our God forever and ever! Amen.”
_______________________________________

Using praise language drawn directly from the book of Revelation, "Blessing and Honor and Glory and Power" leads us to worship the risen and victorious Christ.  It was originally subtitled "The Song of the Lamb" and was printed with the heading "addressed to all the saints and angels" when first published in 1866 by Scottish hymnwriter and minister Horatio Bonar (1808-1889). This is the second appearance by Horatio Bonar on "Notes of Glory:" his hymn "I Heard the Voice of Jesus Say" was featured in our July 26, 2020 post.  

As part of a family that had served the Church of Scotland for over 350 years, Horatio Bonar followed his ancestors into the ministry. He was a prolific author and composed over 600 hymns (poems) as well as a number of books, including Truth and Error and The Night of Weeping, or Words for the Suffering Family of God. Bonar was well acquainted with suffering, having lost five young children in a short period of time. However, according to writer Dan Graves, in Bonar's later years, his widowed daughter and her five children moved in with him. "Many grandparents would groan at the added burden, but Bonar rejoiced. To him it was as if God had given him five children to replace those he had lost."

The noble melody matched here with "Blessing and Honor and Glory and Power" is titled "American Hymn" and was composed by Matthias Keller (1813-1875). Keller was born in Germany and studied music in Stuttgart and Vienna, where he also worked as an army bandmaster and played violin in the Viennese Royal Chapel.  In 1846 he emigrated to America and worked as a violin maker and performer. In 1866,  Keller entered a competition for composition of an original national hymn. His "American Hymn" did not win (in fact, there were no prize winners), but several years later, the tune was combined with a poem by Dr. Oliver Wendell Holmes, resulting in the song "Hymn of Peace." This song was premiered on the first day of the 1869 "Great National Peace Jubilee" in Boston, held to commemorate the end of the Civil War.  As a result of its successful reception at the Peace Jubilee, "Hymn of Peace" became very popular and Keller's "national hymn" tune was soon successfully adapted for use with other hymn texts, including Bonar's  "Blessing and Honor and Glory and Power."  

May the words of Bonar's Scripture-inspired hymn encourage you as you go forth in Christ's name this week, renewed for the journey, and with praise in your heart!

Give we the glory and praise to the Lamb;
take we the robe and the harp and the palm;
sing we the song of the Lamb that was slain,
dying in weakness, but rising to reign.


Blessing and honor and glory and pow'r,
wisdom and riches and strength evermore
give ye to him who our battle hath won,
whose are the kingdom, the crown, and the throne.

Soundeth the heav'n of the heav'ns with his name;
ringeth the earth with his glory and fame;
ocean and mountain, stream, forest, and flow'r
echo his praises and tell of his pow'r.

Ever ascendeth the song and the joy;
ever descendeth the love from on high;
blessing and honor and glory and praise-—
this is the theme of the hymns that we raise.

Give we the glory and praise to the Lamb;
take we the robe and the harp and the palm;
sing we the song of the Lamb that was slain,
dying in weakness, but rising to reign.

Here's a playlist with all the music featured in today's post:

Saturday, December 5, 2020

Music for Anywhere Worship: Sunday, December 6, 2020 (Second Sunday of Advent)

Welcome to the Second Sunday of Advent on Notes of Glory!




If you are a first-time visitor,  click here to find out the story behind "Notes of Glory" (helping you to SING wherever you are)!

Here's an alphabetical list of all  "Notes of Glory" music with links so that you can revisit your favorite hymns/songs. 

Complete "Notes of Glory" Song List

TO LISTEN TO MUSIC

Look for the SoundCloud audio player window found below the information provided for each song.  Click on the white arrow in the orange circle.


IF YOU ARE LISTENING/VIEWING ON A MOBILE DEVICE OR TABLET


If given an option on your mobile device, click "LISTEN IN BROWSER" (rather than "Play on SoundCloud") on the audio player windows so that you stay on this page and can sing along using the printed lyrics.



We are continuing to enjoy the beautiful music of the season of Advent as we prepare to celebrate, with deep thankfulness, the birth of Christ.  Let's lift our voices and sing praises to our King!




PRELUDE

(to help you enter into a spirit of worship)

I Wonder as I Wander (Appalachian Yuletide)



Traditional Appalachian Carol, arranged for piano by Dan Forrest

Colossians 1:19-23
For in him all the fullness of God was pleased to dwell,  and through him to reconcile to himself all things, whether on earth or in heaven, making peace by the blood of his cross. And you, who once were alienated and hostile in mind, doing evil deeds, he has now reconciled in his body of flesh by his death, in order to present you holy and blameless and above reproach before him, if indeed you continue in the faith, stable and steadfast, not shifting from the hope of the gospel that you heard, which has been proclaimed in all creation under heaven.

____________________

In July 1933, American composer and folk song collector John Jacob Niles (1892-1980) heard a young girl named Annie Morgan sing a few melodic fragments in Murphy, North Carolina.  In fact, she sang "three lines of verse, a garbled fragment of melodic material—and a magnificent idea."  This plaintive Appalachian Christmas tune so captivated Niles that he compiled the bits of lyrics and melody into "I Wonder as I Wander," which has since become a beloved carol. In this simple song, we hear the thoughts of a humble, ordinary person contemplating the wonder of Christ and His love. This ethereal arrangement for solo piano by Dan Forrest captures the sense of awe and worshipful attitude of the lyrics. 


I wonder as I wander, out under the sky,
How Jesus the Savior did come for to die
For poor ord'n'ry people like you and like I.
I wonder as I wander, out under the sky.

When Mary birthed Jesus, all in a cow's stall,
Came wise men and farmers and shepherds and all,
And high from the heavens a star's light did fall;
The promise of the ages it then did recall.

If Jesus had wanted for any wee thing,
A star in the sky or a bird on the wing,
Or all of God's angels in heav'n for to sing,
He surely could have had it, 'cause he was the king.

HYMNS FOR YOU TO SING ANYWHERE
(transposed to easily singable keys!)

Angels from the Realms of Glory



Words by James Montgomery, Music by Henry T. Smart

Luke 2:13-14
And suddenly there was with the angel a multitude of the heavenly host praising God and saying,
“Glory to God in the highest,
and on earth peace among those with whom he is pleased."

Haggai 2:7
I will shake all nations, and what is desired by all nations will come, and I will fill this house with glory,’ says the Lord Almighty.
_____________________

First published on Christmas Eve 1816 as a poem in a Yorkshire newspaper, "Angels from the Realms of Glory" recalls the events of the nativity and invites praise and adoration.  The hymnwriter, James Montgomery (1771-1854), was a prolific author of several hundred hymns including "Go to Dark Gethsemene" (which was featured in this Good Friday post) and "Stand Up and Bless the Lord."  He was a well-known figure in 19th century literary England, and was the editor of the Sheffield Iris weekly newspaper for 31 years: it was in this publication that "Angels From the Realms of Glory" originally appeared. The lyrics are dynamic and colorful and travel through time as they recall the singing of angels, retroactively remind shepherds that "God with us is now residing,"  beckon the Magi to see the "great Desire of Nations," and point all saints toward the second coming of Christ.  Each stanza is followed by a warm invitation to worship Christ, the newborn King.  

"Angels" is sung to different tunes in the UK and America (this is typical of many historic English-language hymns).  Here we usually sing this text to "Regent Square" by British composer and organist Henry Smart (1813-1879).  Smart, who was completely blind by age 51, was renowned for his extemporaneous organ improvisations and his accompaniment of congregational singing.  He originally wrote "Regent Square" in 1866 as the melody for a doxology hymn, "Glory Be to God the Father" by Horatio Bonar (1808-1889).  

Here is a video showing this hymn being sung by the Birmingham Boys Choir at their 2015 Christmas concert.  

Public Domain. Courtesy of Hymnary.org




Angels, from the realms of glory,
wing your flight o'er all the earth;
ye, who sang creation's story,
now proclaim Messiah's birth:
come and worship, come and worship,
worship Christ, the newborn King!

Shepherds, in the fields abiding,
watching o'er your flocks by night,
God with man is now residing;
yonder shines the infant Light:
come and worship, come and worship,
worship Christ, the newborn King!

Sages, leave your contemplations;
brighter visions beam afar;
seek the great Desire of nations;
ye have seen His natal star:
come and worship, come and worship,
worship Christ, the newborn King!

Saints before the altar bending,
watching long in hope and fear,
suddenly the Lord, descending,
in His temple shall appear:
come and worship, come and worship,
worship Christ, the newborn King!

O Little Town of Bethlehem
David Roberts - Bethlehem - 1927.131 - Cleveland Museum of Art
David Roberts, "Bethlehem" Color Lithograph, 1839. Public domain.
Cleveland Museum of Art, CC0, via Wikimedia Commons


Words by Phillipps Brooks, Music by Lewis Henry Redner

Matthew 2:1-12
Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the east came to Jerusalem, saying, “Where is he who has been born king of the Jews? For we saw his star when it rose and have come to worship him.” When Herod the king heard this, he was troubled, and all Jerusalem with him; and assembling all the chief priests and scribes of the people, he inquired of them where the Christ was to be born. They told him, “In Bethlehem of Judea, for so it is written by the prophet:

 “‘And you, O Bethlehem, in the land of Judah,
are by no means least among the rulers of Judah;
for from you shall come a ruler
who will shepherd my people Israel.’”

Then Herod summoned the wise men secretly and ascertained from them what time the star had appeared. And he sent them to Bethlehem, saying, “Go and search diligently for the child, and when you have found him, bring me word, that I too may come and worship him.” After listening to the king, they went on their way. And behold, the star that they had seen when it rose went before them until it came to rest over the place where the child was. When they saw the star, they rejoiced exceedingly with great joy. And going into the house, they saw the child with Mary his mother, and they fell down and worshiped him. Then, opening their treasures, they offered him gifts, gold and frankincense and myrrh. And being warned in a dream not to return to Herod, they departed to their own country by another way.
____________________

Like those before him and since who have sought to experience the geographical heritage of Christianity, American clergyman and author Phillips Brooks (1835-1893) journeyed to Israel in 1865 and participated in Christmas Eve services at the Church of the Nativity.  He later wrote to the children of Holy Trinity Church in Philadelphia, (where he served as rector) describing his experiences traveling to Bethlehem:

Before dark we rode out of town to the field where they say the shepherds saw the star. It is a fenced piece of ground with a cave in it, in which, strangely enough, they put the shepherds. . . . Somewhere in those fields we rode through, the shepherds must have been. As we passed, the shepherds were still ‘keeping watch over their flocks,’ or leading them home to fold.

Three years later, recalling his time in Bethlehem, Brooks wrote "O Little Town of Bethlehem" as a hymn for children.  It was first published in a booklet in 1868, and a tune for the hymn, "St. Louis" was written by the church's gifted organist, Louis Redner (1831-1908), who composed it the night before the hymn was to be sung by the congregation.  

"O come to us, abide with us, Our Lord Emmanuel."  Brooks' prayer then is still our prayer today, even as we celebrate Emmanuel (God with us) every day, and await the second coming of our Lord. If this carol is new to you, you might enjoy hearing (and watching) this beautiful arrangement performed by the Gather Vocal Band. 


Public Domain. Courtesy of Hymnary.org


O little town of Bethlehem,
how still we see thee lie;
above thy deep and dreamless sleep
the silent stars go by:
yet in thy dark streets shineth
the everlasting Light;
the hopes and fears of all the years
are met in thee tonight.

For Christ is born of Mary,
and gathered all above,
while mortals sleep, the angels keep
their watch of wond'ring love.
O morning stars, together
proclaim the holy birth!
And praises sing to God the King,
and peace to men on earth.

How silently, how silently,
the wondrous gift is giv'n!
So God imparts to human hearts
the blessings of his heav'n.
No ear may hear his coming,
but in this world of sin,
where meek souls will receive him still,
the dear Christ enters in.

O holy child of Bethlehem,
descend to us, we pray;
cast out our sin and enter in;
be born in us today.
We hear the Christmas angels
the great glad tidings tell;
O come to us, abide with us,
our Lord Emmanuel!

While Shepherds Watched Their Flocks at Night



Words by Nahum Tate, Music by Georg Friedrich Handel 

Luke 2:8-14
And in the same region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with great fear. And the angel said to them, “Fear not, for behold, I bring you good news of great joy that will be for all the people. For unto you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a baby wrapped in swaddling cloths and lying in a manger.” And suddenly there was with the angel a multitude of the heavenly host praising God and saying,

“Glory to God in the highest,
and on earth peace among those with whom he is pleased."
___________________

If you read the passage from Luke 2:8-14 (above), and then read the lyrics of "While Shepherds Watched Their Flocks at Night" (below) you'll notice that the latter is a direct paraphrase of the former.  This hymn comes from an era in England when congregational church music was strictly based on the Psalms. Irish poet, dramatist and hymn writer, Nahum Tate, who was appointed England's poet laureate in 1692, worked together with Nicholas Brady to produce New Version of the The Psalms of David in 1696, consisting of a greater variety of metrical psalm settings than had previously been available. In 1703, an supplement to the collection was published which included Nahum's Christmas poem "While Shepherds Watched." We think of this type of hymn as very traditional-sounding when we hear it with our modern ears. However, the poetic way that Tate paraphrased Luke 2:8-14 was quite innovative for the time, and the hymn became the only Christmas song authorized by the Anglican church for congregational singing during this period. 

The uplifting melody frequently sung with "When Shepherds Watched Their Flocks at Night" was written by German Baroque composer George Friedrich Handel (1685-1759): it was originally part of his1728  opera Siroe and was adapted by Lowell Mason in 1821.  If this hymn is new to you, here is a version including organ and voices.  
Public Domain. Courtesy of Hymnary.org


While shepherds watched their flocks by night,
all seated on the ground,
an angel of the Lord came down,
and glory shone around.

"Fear not," said he for mighty dread
had seized their troubled mind
"glad tidings of great joy I bring
to you and all mankind.

"To you, in David's town, this day
is born of David's line
a Savior, who is Christ the Lord;
and this shall be the sign:

"The heavenly babe you there shall find
to human view displayed,
all simply wrapped in swaddling clothes
and in a manger laid."

Thus spoke the angel. Suddenly
appeared a shining throng
of angels praising God, who thus
addressed their joyful song:

"All glory be to God on high,
and to the earth be peace;
to those on whom his favor rests
goodwill shall never cease."

POSTLUDE
(to help you go forth with joy!)

Noël Nouvelet  (Sing We Now of Christmas)






Traditional French Carol, arranged for solo piano by David Lantz III 

Luke 2:15-20
When the angels had left them and gone into heaven, the shepherds said to one another, “Let’s go to Bethlehem and see this thing that has happened, which the Lord has told us about.” So they hurried off and found Mary and Joseph, and the baby, who was lying in the manger. When they had seen him, they spread the word concerning what had been told them about this child, and all who heard it were amazed at what the shepherds said to them. But Mary treasured up all these things and pondered them in her heart. The shepherds returned, glorifying and praising God for all the things they had heard and seen, which were just as they had been told.
____________________

"Noël Nouvelet" is a late 15th century French carol that beautifully recounts the story of the nativity.  It's a traditional song with folk origins: at this time in France, congregational singing was not a featured part of church liturgy.  The word "Noël" has a multi-lingual history, according to Merriam-Webster:

English speakers borrowed the word noel from French. It can be traced further back to the Latin word natalis, which can mean "birthday" as a noun or "of or relating to birth" as an adjective. (The English adjective natal has the same meaning and is also an offspring of natalis.). Noels were being sung in Latin or French for centuries before the word found its way into our language in the 1800s. The earliest known musical use of noel occurred in the text of a Christmas motet called "Nova vobis gaudia," which was written in the 1400s.

The word noël is also connected to the idea of newness or something being new, as can be seen in the literal translation of the first two lines of the original French text. 

Noël nouvelet, Noël chantons ici,
Dévotes gens, crions à Dieu merci !

New Christmas, Christmas we sing here,
Devout people, let us shout our thanks to God!

May this sparkling, exciting piano arrangement of "Noël Nouvelet" by David Lantz III fill your heart with the joy of the Lord!

Sing we now of Christmas,
Noel, sing we here!
Hear our grateful praises
to the babe so dear.

Refrain:
Sing we Noel, the King is born, Noel!
Sing we now of Christmas, sing we now Noel!

Angels called to shepherds,
"Leave your flocks at rest,
journey forth to Bethlehem,
find the lambkin blest." [Refrain]

In Bethlehem they found him;
Joseph and Mary mild,
seated by the manger,
watching the holy child. [Refrain]

From the eastern country
came the kings afar,
bearing gifts to Bethlehem
guided by a star. [Refrain]

Gold and myrrh they took there,
gifts of greatest price;
there was ne'er a place on earth
so like paradise. [Refrain]

Here's a playlist of all the music featured in today's post.  Enjoy!