Saturday, July 11, 2020

Music for At-Home Worship: Sunday, July 12



As we worship in our homes today, may true adoration and love for God overflow from our grateful hearts. May the songs, Scripture, images, and stories shared here draw you nearer to Him as you prepare to greet a new week of life.


If you would like to hear any of your favorite hymns from past "Notes of Glory" posts again, here is an alphabetical list, with each hymn linked to the post where it first appeared (dating back to the very first post on March 22, 2020).

Complete "Notes of Glory" Song List

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PRELUDE


Words and music by Clara H. Fiske Scott, arrangement for solo piano by Michael Wilson


Psalm 119:18
Open my eyes that I may see
wonderful things in your law.

Proverbs 20:12
Ears that hear and eyes that see—
the Lord has made them both.

Psalm 51:15
Open my lips, Lord,
and my mouth will declare your praise.

Clara Scott (1841-1897) penned this musical prayer asking that the Holy Spirit reveal truth through the opening of one's eyes, ears, and heart, and also asking for courage to verbally share "the warm truth everywhere." Born in in Elk Grove, Illinois, Scott attended Chicago's C. M. Cady Music Institute at age 15: three years later she was teaching music at the Ladies Seminary in Lyons, Iowa. She published piano and vocal music including The Royal Anthem Book (1882), a collection of anthems for mixed voices considered to be the first such collection published by a woman. Inspired by Psalm 119:18, Scott wrote "Open My Eyes" in 1895: just two years later she died in a carriage accident. Today she is best known as the creator of this quiet hymn of supplication. 



Open my eyes, that I may see
glimpses of truth you have for me;
place in my hands the wonderful key
that shall unlock and set me free.
Silently now, on bended knee,
ready I wait your will to see;
open my eyes, illumine me,
Spirit divine!

Open my ears, that I may hear
voices of truth you send so clear;
and while the message sounds in my ear,
everything false will disappear.
Silently now, on bended knee,
ready I wait your will to see;
open my ears, illumine me,
Spirit divine!

Open my mouth, and let me bear
gladly the warm truth everywhere;
open my heart, and let me prepare
love with your children thus to share.
Silently now, on bended knee,
ready I wait your will to see;
open my heart, illumine me,
Spirit divine!

HYMNS FOR YOU TO SING AT HOME

I Sing the Mighty Power of God

Words by Isaac Watts, "Ellacombe" hymn tune, first published in a chapel hymnal for the Duke of Würtemberg (Gesangbuch der Herzogl), 1784

Jeremiah 10:12-13
But God made the earth by his power;
he founded the world by his wisdom
and stretched out the heavens by his understanding.
When he thunders, the waters in the heavens roar;
he makes clouds rise from the ends of the earth.
He sends lightning with the rain
and brings out the wind from his storehouses.

Nehemiah 9:6
You alone are the Lord. You made the heavens, even the highest heavens, and all their starry host, the earth and all that is on it, the seas and all that is in them. You give life to everything, and the multitudes of heaven worship you.

Psalm 19:1
The heavens declare the glory of God;
the skies proclaim the work of his hands.

When we take time to enjoy nature, it's easy to be amazed at the beauty around us. However, nature's grandeur is but an arrow pointing us toward our Creator, whose power, goodness, and wisdom are displayed in every facet of the natural world.

In "I Sing the Mighty Power of God," poet, hymn writer and pastor Isaac Watts (1674-1749) presented a vivid word painting of Creation in action, and then portrayed what had been created, now in worship of the Creator. Watts, known as the "Father of English hymnody" wrote over 600 hymns, and created controversy by introducing non-Psalm newly-composed songs into English worship. Many of Watts' hymns are in active use today, including "When I Survey the Wondrous Cross," "Joy to the World," "Jesus Shall Reign" and "O God, Our Help in Ages Past."  Listing Watt's many creative accomplishments and describing his life story would require many more paragraphs: here is an excellent summary of his life and musical contributions at the Center of Church Music website. And here is a wonderful arrangement of "I Sing the Mighty Power" by the a capella group Glad.

Public domain. Courtesy of Hymnary.org




I sing the mighty pow'r of God
That made the mountains rise,
That spread the flowing seas abroad,
And built the lofty skies.
I sing the wisdom that ordained
The sun to rule the day;
The moon shines full at His command
And all the stars obey.

I sing the goodness of the Lord
That filled the earth with food;
He formed the creatures with His word
And then pronounced them good.
Lord, how Thy wonders are displayed
Where'er I turn my eye:
If I survey the ground I tread
Or gaze upon the sky!

There's not a plant or flow'r below
But makes Thy glories known;
And clouds arise and tempests blow
By order from Thy throne;
While all that borrows life from Thee
Is ever in Thy care,
And everywhere that man can be,
Thou, God, art present there.

Beautiful Savior/Fairest Lord Jesus

Words originally published in the Münster Gesangbuch, 1677, translated by Joseph August Seiss.
Music: "St. Elizabeth" hymn tune (also known as "Crusader's Hymn"), a Silesian folk song from Schlesische Volkslieder, 1842; arranged by Richard Storrs Willis.

Song of Solomon 6:10
Who is this that appears like the dawn,
fair as the moon, bright as the sun,
majestic as the stars in procession?

1 Thessalonians 2:19-20
For what is our hope, our joy, or the crown in which we will glory in the presence of our Lord Jesus when he comes? Is it not you? Indeed, you are our glory and joy.

Jude 1:24-25
To him who is able to keep you from stumbling and to present you before his glorious presence without fault and with great joy— to the only God our Savior be glory, majesty, power and authority, through Jesus Christ our Lord, before all ages, now and forevermore! Amen.

The history of this hymn involves many unknowns, including unknown text composer(s), unknown tune composer(s), and there is even some confusion regarding slightly varying English translations which are used in different hymnals today ("Fairest Lord Jesus" vs. "Beautiful Savior").

What we do know is that this hymn overflows with "glory and honor, praise, adoration" and observes that nature's beauty pales in comparison to the beauty of Christ's love for us.  You can read a transcription of an excellent  discussion on the complex history of "Beautiful Savior/Fairest Lord Jesus" here,  Here is the Robert Shaw Chorale singing this hymn.


Public domain. Courtesy of Hymnary.org


There are two slightly different English translations that are commonly sung ("Beautiful Savior" and "Fairest Lord Jesus").  Here are both versions so that you choose which you'd prefer to sing!



Beautiful Savior, King of creation,
Son of God and Son of Man!
Truly I'd love Thee, truly I'd serve thee,
Light of my soul, my Joy, my Crown.

Fair are the meadows, Fair are the woodlands,
Robed in flow'rs of blooming spring;
Jesus is fairer, Jesus is purer;
He makes our sorr'wing spirit sing.

Fair is the sunshine, Fair is the moonlight,
Bright the sparkling stars on high;
Jesus shines brighter, Jesus shines purer
Than all the angels in the sky.

Beautiful Savior, Lord of the nations,
Son of God and Son of Man!
Glory and honor, Praise, adoration,
Now and forevermore be Thine!

_______________________________

Fairest Lord Jesus, Ruler of all nature,
O Thou of God and man the Son,
Thee will I cherish, Thee will I honor,
Thou, my soul's glory, joy and crown.

Fair are the meadows, fairer still the woodlands,
Robed in the blooming garb of spring;
Jesus is fairer, Jesus is purer,
Who makes the woeful heart to sing.

Fair is the sunshine,
Fairer still the moonlight,
And all the twinkling starry host;
Jesus shines brighter, Jesus shines purer
Than all the angels heaven can boast.

Beautiful Savior! Lord of all the nations!
Son of God and Son of Man!
Glory and honor, praise, adoration,
Now and forever more be Thine.


I Am His and He is Mine 
(Loved with Everlasting Love)

Words by George Wade Robinson, Music by James Mountain


This hymn may be new to you, but after today it may become a new favorite!  George Wade Robinson (1838-1877) was an Irish pastor, poet, and hymn writer. He authored several poetry and sermon collections during his short lifetime, but is chiefly remembered today for this wonderful hymn, which reminds us that life in Christ gives us eyes to see the beauty of creation in a fresh way, and describes the rest that we can enjoy in Him even though "heav'n and earth may fade and flee."

The tune for "I am His and He is Mine" was written by British pastor and composer James Mountain (1844-1933) who also wrote the music for Frances Havergal's hymn "Like a River Glorious which was featured in our May 3 post." If you are unfamiliar with this hymn, you might enjoy listening to this lovely recording of "I am His, and He is Mine" by Wayne Watson.

Public domain. Courtesy of Hymnary.org


Note: you will sing the last line of each verse twice. 




Loved with everlasting love,
drawn by grace that love to know,
Spirit sent from Christ above,
thou dost witness it is so.
O this full and precious peace
from his presence all divine;
in a love that cannot cease,
I am his and he is mine.

Heav'n above is deeper blue,
earth around is sweeter green,
that which glows in ev'ry hue
Christless eyes have never seen.
Birds in song his glories show,
flow'rs with richer beauties shine
since I know, as now I know,
I am his and he is mine.

Taste the goodness of the Lord:
welcomed home to his embrace,
all his love, as blood outpoured,
seals the pardon of his grace.
Can I doubt his love for me,
when I trace that love's design?
By the cross of Calvary
I am his and he is mine.

His forever, only his--
who the Lord and me shall part?
Ah, with what a rest of bliss
Christ can fill the loving heart.
Heav'n and earth may fade and flee,
firstborn light in gloom decline,
but while God and I shall be,
I am his and he is mine.

POSTLUDE

At the Name of Jesus


Words by Caroline Noel, "King's Weston" hymn tune by Ralph Vaughan Williams. Arranged for solo piano by Hugh S. Livingston, Jr. 


Philippians 2:5-11
In your relationships with one another, have the same mindset as Christ Jesus:
Who, being in very nature God,
did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
by taking the very nature of a servant,
being made in human likeness.
And being found in appearance as a man,
he humbled himself
by becoming obedient to death—
even death on a cross!

Therefore God exalted him to the highest place
and gave him the name that is above every name,
that at the name of Jesus every knee should bow,
in heaven and on earth and under the earth,
and every tongue acknowledge that Jesus Christ is Lord,
to the glory of God the Father.

Caroline Noel (1817-1877) wrote her first hymn, "Draw Nigh Unto My Soul," at the age of 17.  The daughter of an English vicar (who also wrote hymns), she began suffering from a crippling illness in 1852 that left her bedridden for the remainder of her life, but she wrote many hymns (poems) during this time, including an 1861 collection titled The Name of Jesus and Other Verses for the Sick and Lonely

Noel's 1870 hymn "At the Name of Jesus" was directly inspired by Philippians 2:5-11, and was paired with variety of tunes but is best known for being matched with "King's Weston," a melody composed specifically for this text by British composer Ralph Vaughan Williams (1872-1958) in 1925. Although the melody is in a minor key, Vaughan Williams created a majestic musical ambiance full of passion and depth that matches the profundity and theological significance of the Biblically-based text.



At the name of Jesus ev'ry knee shall bow,
ev'ry tongue confess him King of glory now.
'Tis the Father's pleasure we should call him Lord,
who from the beginning was the mighty Word.

At his voice creation sprang at once to sight,
all the angel faces, all the hosts of light,
thrones and dominations, stars upon their way,
all the heav'nly orders in their great array.

Humbled for a season to receive a name
from the lips of sinners unto whom he came,
faithfully he bore it spotless to the last,
brought it back victorious, when from death he passed.

In your hearts enthrone him; there let him subdue
all that is not holy, all that is not true;
crown him as your Captain in temptation's hour:
let his will enfold you in its light and pow'r.

Brothers, this Lord Jesus shall return again,
with his Father's glory, with his angel train;
for all wreaths of empire meet upon his brow,
and our hearts confess him King of glory now.

Friday, July 3, 2020

Music for At-Home Worship: Sunday, July 5



Singing to the Lord, in all its fullness, is not simply reciting a text set to a tune, but expressing the offering of our whole selves to God in vital, personal communion. May God “take my voice, and let me sing, always, only, for my King.”


from "When You Don't Feel Like Singing" by Randall Van Meggelen, Tabletalk magazine, January 1, 2015.

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If given an option on your mobile device, click "LISTEN IN BROWSER" (rather than "Play on SoundCloud") on the audio player windows so that you stay on this page and can sing along using the printed lyrics.



PRELUDE



Words by William Featherston, Music by Adoniram J. Gordon, arranged for solo piano by Larry Shackley 


1 John 4:16-19
God is love. Whoever lives in love lives in God, and God in them. This is how love is made complete among us so that we will have confidence on the day of judgment: In this world we are like Jesus. There is no fear in love. But perfect love drives out fear, because fear has to do with punishment. The one who fears is not made perfect in love. We love because he first loved us.

This beautiful hymn was not penned by a poet or pastor, but rather by a Canadian teenager. William Ralph Featherson (1848-1875) of Montreal, Quebec was a young man with an unusually mature faith, and penned "My Jesus, I Love Thee" as a devotional poem sometime between the ages of 12 and 16.  The poem was published anonymously in the London Hymn Book in 1864. Not much else is known of Featherston's life: he died at the age of 27 and is known today as the author of this single, profound hymn.  Composer Adoniram Judson Gordon (1836-1895) wrote the music for this hymn after discovering Featherston's poem in the London Hymn Book. Text and tune were first published together in The Service of Song for Baptist Churches in 1876.  (Gordon is the founder of Gordon College and Gordon-Conwell Theological Seminary).



My Jesus, I love thee, I know thou art mine;
for thee all the follies of sin I resign;
my gracious Redeemer, my Savior art thou;
if ever I loved thee, my Jesus, 'tis now.

I love thee because thou hast first loved me
and purchased my pardon on Calvary's tree;
I love thee for wearing the thorns on thy brow;
if ever I loved thee, my Jesus, 'tis now.

I'll love thee in life, I will love thee in death,
and praise thee as long as thou lendest me breath,
and say when the deathdew lies cold on my brow:
If ever I loved thee, my Jesus, 'tis now.

In mansions of glory and endless delight,
I'll ever adore thee in heaven so bright;
I'll sing with the glittering crown on my brow:
If ever I loved thee, my Jesus, 'tis now.

HYMNS FOR YOU TO SING AT HOME

Words from Katholisches Gesangbuch (c. 1744). Translated by Edward Caswall, adapted by Robert Bridges. "Laudes Domini" tune by Joseph Barnby

1 Chronicles 23:30
They were also to stand every morning to thank and praise the Lord. They were to do the same in the evening.

Lamentations 3:22-23
Because of the Lord’s great love we are not consumed,
for his compassions never fail.
They are new every morning;
great is your faithfulness.

Psalm 34:1-3
I will extol the Lord at all times;
his praise will always be on my lips.
I will glory in the Lord;
let the afflicted hear and rejoice.
Glorify the Lord with me;
let us exalt his name together.

If you're a regular reader of "Notes of Glory" you'll have noticed how many well-known hymns represent a patchwork of diverse talents including poets, composers, arrangers, and translators. "When Morning Gilds the Skies," which musically traces the rising sun in its ascending melodic line, is yet another example of this creative blending: at least four different artists collaborated asynchronously to produce this hymn which reminds us to praise God each new morning.

"With the Early Morning Light" is the literal translation of the original German version of this hymn by an unknown author, which first appeared in the Catholic Songbook for Public Worship in the [locale of] Biszthume Würzburg. British hymn writer and clergyman Edward Caswall (1814-1878) translated the German hymn into English in 1854 and 1858. (Caswell is also known as the author of "See, Amid the Winter's Snow" as well as the translator of "Jesus, the Very Thought of Thee" among other hymns).  The hymn was further adapted by British physician/poet laureate Robert Bridges (1844-1930) who also translated many important German hymns into English such as "Jesu, Joy of Man's Desiring," "Ah, Holy Jesus" and "O Sacred Head, Now Wounded." The tune for "When Morning Gilds the Skies" ("Laudes Domini") was written by British organist, composer and conductor Joseph Barnby (1838-1896), who led the Royal Albert Hall Choral Society for over twenty years (his predecessor in this position was composer Charles Gounod).

Public domain. Courtesy of PDHymns




When morning gilds the skies,
My heart awaking cries:
May Jesus Christ be praised!
Alike at work and prayer
To Jesus I repair:
May Jesus Christ be praised!

Does sadness fill my mind?
A solace here I find:
May Jesus Christ be praised!
Or fades my earthly bliss?
My comfort still is this:
May Jesus Christ be praised!

Let earth's wide circle round
In joyful notes resound:
May Jesus Christ be praised!
Let air and sea and sky
From depth to height reply:
May Jesus Christ be praised!

Be this, while life is mine,
My canticle divine:
May Jesus Christ be praised!
Be this the eternal song
Through all the ages long:
May Jesus Christ be praised!

Take My Life and Let it Be

Words by Frances Ridley Havergal, Music by Henri A. Cesar Malan

Romans 12:1
Therefore, I urge you, brothers and sisters, in view of God’s mercy, to offer your bodies as a living sacrifice, holy and pleasing to God—this is your true and proper worship.

Isaiah 6:8
Then I heard the voice of the Lord saying, “Whom shall I send? And who will go for us?”
And I said, “Here am I. Send me!”

1 Chronicles 29:3-5
Besides, in my devotion to the temple of my God I now give my personal treasures of gold and silver for the temple of my God, over and above everything I have provided for this holy temple: three thousand talents of gold (gold of Ophir) and seven thousand talents of refined silver, for the overlaying of the walls of the buildings, for the gold work and the silver work, and for all the work to be done by the craftsmen. Now, who is willing to consecrate themselves to the Lord today?

"Take My Life, and Let it Be" represents hymn writer Frances Ridley Havergal's second appearance here on "Notes of Glory": her beautiful hymn "Like a River Glorious" was featured in the May 3 post.  Havergal (1836-1879), the daughter of an Anglican clergyman, was a scholar proficient in Hebrew and Greek, and was also a gifted singer and pianist. "Take My Life" dates from an event that occurred on February 4, 1874, as Havergal later recounted.
"I went for a little visit of five days. There were ten persons in the house; some were unconverted and long prayed for, some converted but not rejoicing Christians. [God] gave me the prayer, 'Lord, give me all in this house.' And He just did. Before I left the house, everyone had got a blessing. The last night of my visit I was too happy to sleep and passed most of the night in renewal of my consecration, and those little couplets formed themselves and chimed in my heart one after another till they finished with "ever only, ALL FOR THEE!" (from Studies of Familiar Hymns by Louis F. Benson, 1903).
"Hendon," the tune matched with the text of "Take My Life" here, was written by Henri Abraham César Malan (1787-1864), a Swiss Protestant minister who was a leader in the French Reformed hymn movement.  You can read more about his life, marked by evangelistic zeal, here

Public domain. Courtesy of Hymnary.org




Take my life and let it be
consecrated, Lord, to thee;
take my moments and my days;
let them flow in ceaseless praise;
let them flow in ceaseless praise.

Take my hands and let them move
at the impulse of thy love;
take my feet and let them be
swift and beautiful for thee,
swift and beautiful for thee.

Take my voice and let me sing
always, only, for my King;
take my lips and let them be
filled with messages from thee,
filled with messages from thee.

Take my silver and my gold;
not a mite would I withhold;
take my intellect and use
every power as thou shalt choose,
every power as thou shalt choose.

Take my will and make it thine;
it shall be no longer mine.
Take my heart, it is thine own;
it shall be thy royal throne,
it shall be thy royal throne.

Take my love; my Lord, I pour
at thy feet its treasure store;
take myself and I will be
ever, only, all for thee,
ever, only, all for thee.

Is There a Heart O'er Bound with Sorrow?
(All Your Anxiety)


Words and Music by Edward Henry Joy

1 Peter 5:7
Cast all your anxiety on him because he cares for you.

Psalm 94:18-19
When I said, “My foot is slipping,”
your unfailing love, Lord, supported me.
When anxiety was great within me,
your consolation brought me joy.

Philippians 4:6-7
Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.

Exodus 25:17-22
Then you shall make a mercy seat of pure gold; two cubits and a half shall be its length, and a cubit and a half its width. You shall make two cherubim of gold; you shall make them of hammered work, at the two ends of the mercy seat. Make one cherub at the one end, and one cherub at the other; of one piece with the mercy seat you shall make the cherubim at its two ends. The cherubim shall spread out their wings above, overshadowing the mercy seat with their wings. They shall face one to another; the faces of the cherubim shall be turned toward the mercy seat. You shall put the mercy seat on the top of the ark; and in the ark you shall put the covenant that I shall give you. There I will meet with you, and from above the mercy seat, from between the two cherubim that are on the ark of the covenant, I will deliver to you all my commands for the Israelites.

This hymn of assurance features words and music written in 1920 by the same person: Edward Henry Joy (1871-1949). Born in Canterbury, England, Joy joined the Salvation Army where he was a musician and became an officer in 1894.  He later served with the Salvation Army in Winnipeg, Canada. According to hymn historian Robert Cottrill, Edward Henry Joy "wrote a book called The Old Corps, which describes the early days of the organization (founded in 1865). It tells how the established church of the day was scandalized at some of the aggressive and novel methods used by William Booth to reach the lost and downtrodden of society."

Here is an article that further explores the concept of the "mercy seat." If you'd like to hear a recording of "All Your Anxiety" with voices, here is the congregation of Grace Community Church  in Sun Valley CA singing this hymn. (with John MacArthur singing at the pulpit).  And here is a beautiful arrangement shared by the the Royal Oak Salvation Army Songsters.

Public domain. Courtesy of Cyber Hymnal



Is there a heart o’erbound by sorrow?
Is there a life weighed down by care?
Come to the cross, each burden bearing;
All your anxiety—leave it there.

Refrain:
All your anxiety, all your care,
Bring to the mercy seat, leave it there,
Never a burden He cannot bear,
Never a friend like Jesus!

No other friend so swift to help you,
No other friend so quick to hear,
No other place to leave your burden,
No other one to hear your prayer.

Come then at once; delay no longer!
Heed His entreaty kind and sweet,
You need not fear a disappointment;
You shall find peace at the mercy seat.

POSTLUDE
I've Got Peace Like a River



Traditional African-American spiritual, arranged by William J. Reynolds, arranged for solo piano by Anthony Giamanco

Isaiah 66:12
For this is what the Lord says:
“I will extend peace to her like a river,
and the wealth of nations like a flooding stream;
you will nurse and be carried on her arm
and dandled on her knees."

Galatians 5:22-23
But the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control. Against such things there is no law.

Philippians 4:7
And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.

"I've Got Peace Like a River" is a traditional African-American spiritual. Its lyrics draw upon Old Testament imagery from the book of Isaiah and also refer to the first three fruits of the Spirit as listed in the New Testament book of Galatians.



I've got peace like a river,
I've got peace like a river,
I've got peace like a river in my soul.
(repeat)

I've got love like a river,
I've got love like a river,
I've got love like a river in my soul.
(repeat)

I've got joy like a river,
I've got joy like a river,
I've got joy like a river in my soul.
(repeat)

Saturday, June 27, 2020

Music for At-Home Worship: Sunday, June 28





Praise is the rehearsal of our eternal song. By grace we learn to sing, and in glory we continue to sing. (Charles Spurgeon)

May we praise God this morning with our minds, hearts, and souls fully engaged and turned toward Him, the source of life and hope!

IF YOU ARE LISTENING/VIEWING ON A MOBILE DEVICE/TABLET:

If given an option on your mobile device, click "LISTEN IN BROWSER" (rather than "Play on SoundCloud") on the audio player windows so that you stay on this page and can sing along using the printed lyrics.



PRELUDE
Lord, Keep Us Steadfast in Thy Word


Words by Martin Luther, translated by Catherine Winkworth. "Erhalt Uns Herr" hymn tune, Joseph Klug's Geistliche Lieder (Wittenberg, 1543). Solo piano arrangement by Zach Unke

Psalm 119:41-42
May your unfailing love come to me, Lord,
your salvation, according to your promise;
 then I can answer anyone who taunts me,
for I trust in your word.

John 8:31-32
Then Jesus said to those Jews who believed Him, “If you abide in My word, you are My disciples indeed. And you shall know the truth, and the truth shall make you free.”

This powerful hymn by Martin Luther (1483-1546) features 3 verses with a Trinitarian focus on God the Father, Son and Holy Spirit. It was created during a time of turmoil and ongoing political conflict between the Holy Roman Empire and the Turkish Ottoman Empire. Reformers like Luther were caught in the middle, and Luther penned this hymn for a prayer meeting in Wittenberg, Germany, to encourage believers to trust in the protection of God (who reveals Himself through His Word). The tune's author is anonymous, but it was published together with Luther's hymn in 1543 and may have been arranged by Luther himself. We know this hymn today thanks to the work of Catherine Winkworth (1827-1878), a British hymnwriter and educator who translated many important German hymns and chorales into English. According to the Harvard University Hymn Book, Winkworth "did more than any other single individual to make the rich heritage of German hymnody available to the English-speaking world."

You can read more about the history of this hymn here.



Lord, keep us steadfast in your Word;
curb those who by deceit or sword
would wrest the kingdom from your Son
and bring to naught all he has done.

Lord Jesus Christ, your pow'r make known,
for you are Lord of lords alone;
defend your holy church, that we
may sing your praise triumphantly.

O Comforter of priceless worth,
send peace and unity on earth;
support us in our final strife,
and lead us out of death to life.

HYMNS FOR YOU TO SING AT HOME


Words by William Williams, Translated by Peter Williams, Music by John Hughes


Exodus 13:21
By day the Lord went ahead of them in a pillar of cloud to guide them on their way and by night in a pillar of fire to give them light, so that they could travel by day or night.

Exodus 17:6
I will stand there before you by the rock at Horeb. Strike the rock, and water will come out of it for the people to drink.” So Moses did this in the sight of the elders of Israel.

Joshua 4:19-24
On the tenth day of the first month the people went up from the Jordan and camped at Gilgal on the eastern border of Jericho. And Joshua set up at Gilgal the twelve stones they had taken out of the Jordan. He said to the Israelites, “In the future when your descendants ask their parents, ‘What do these stones mean?’ tell them, ‘Israel crossed the Jordan on dry ground.’ For the Lord your God dried up the Jordan before you until you had crossed over. The Lord your God did to the Jordan what he had done to the Red Sea when he dried it up before us until we had crossed over. He did this so that all the peoples of the earth might know that the hand of the Lord is powerful and so that you might always fear the Lord your God.”

Rich in Old Testament imagery,"Guide Me, O Thou Great Jehovah" was written in 1745 by William Williams (1717-1791), considered to be not only one of Wales' finest hymn writers (often referred to as "The Sweet Songster"), but also one of the nation's prominent historical literary figures. "Guide Me" was originally published in Willams' 1762 hymn collection, Songs of those upon the Sea of Glass. In 1771, it was translated into English by Peter Williams (no relation). The hymn is most commonly matched with a tune by Welsh composer John Hughes (1873-1932) titled "Rhondda" which was arranged in its present form for the 1907 dedication of a church organ at Capel Rhondda in Hopkinstown, Wales. (Hughes himself played the organ on that occasion, and the English translation of "Guide Me" was sung because there was a large population of English-speaking immigrant workers in the area at the time).

You can read more about the story behind this hymn here. Here's a video showing the choir and congregation of Tabernacle Welsh Baptist Church in Cardiff (Wales) singing "Guide Me" in both English and Welsh. 
Public domain. Courtesy of PDHymns.com




Guide me, O Thou Great Jehovah,
pilgrim through this barren land;
I am weak, but you are mighty;
hold me with your powerful hand.
Bread of heaven, bread of heaven,
feed me now and evermore,
feed me now and evermore.

Open now the crystal fountain,
where the healing waters flow.
Let the fire and cloudy pillar
lead me all my journey through.
Strong Deliverer, strong Deliverer,
ever be my strength and shield,
ever be my strength and shield.

When I tread the verge of Jordan,
bid my anxious fears subside.
Death of death, and hell's Destruction,
land me safe on Canaan's side.
Songs of praises, songs of praises
I will ever sing to you,
I will ever sing to you.




Words by John H. Sammis, Music by Daniel Brink Towner


Psalm 13:5-6
But I trust in your unfailing love;
my heart rejoices in your salvation.
I will sing the Lord’s praise,
for he has been good to me

Proverbs 3:5-6
Trust in the Lord with all your heart
and lean not on your own understanding;
in all your ways submit to him,
and he will make your paths straight.

Matthew 7:24
Therefore everyone who hears these words of mine and puts them into practice is like a wise man who built his house on the rock.

John 14:23
Jesus replied, “Anyone who loves me will obey my teaching. My Father will love them, and we will come to them and make our home with them.
Public Domain. Courtesy of Hymnary.org.


Typically, hymn texts and the tunes associated with them were written many years apart, by different people, sometimes in different countries.  In the case of "Trust and Obey," the writing of text and tune were a collaborative effort between two friends. Composer Daniel Brink Towner (1850-1919) was the first director of music for the Moody Bible Institute in Chicago.  Towner was leading music for evangelist Dwight Moody at an revival meeting at Brockton, Massachussetts when he heard an attendee declare, "I am not quite sure–but I am going to trust, and I am going to obey." Towner jotted down the statement, and sent it to his friend John Sammis (1846-1919), a Presbyterian minister, who was also based in the Midwest at the time (he later worked at the Los Angeles Bible Institute). Sammis wrote a hymn based on these words, sent it back to Towner, who wrote the music to match the lyrics, and the hymn was first published in Towner's 1887 collection Hymns Old and New.

Here's more information on this hymn and its history.  If this hymn is new to you, here's a contemporary recording with singing so that you can get a feel for the melody.  If you'd like to see the entire 1887 publication in which "Trust and Obey" first appeared, click here (you'll want to click on "complete score," then wait for the PDF to download).



When we walk with the Lord
in the light of his word,
what a glory he sheds on our way!
While we do his good will,
he abides with us still,
and with all who will trust and obey.

Refrain:
Trust and obey, for there's no other way
to be happy in Jesus, but to trust and obey.

Not a burden we bear,
not a sorrow we share,
but our toil he doth richly repay;
not a grief or a loss,
not a frown or a cross,
but is blest if we trust and obey. [Refrain]

But we never can prove
the delights of his love
until all on the altar we lay;
for the favor he shows,
for the joy he bestows,
are for them who will trust and obey. [Refrain]

Then in fellowship sweet
we will sit at his feet,
or we'll walk by his side in the way;
what he says we will do,
where he sends we will go;
never fear, only trust and obey. [Refrain]



Words by Ira Bishop Wilson, Music by George S. Shule
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Matthew 5:14-26
You are the light of the world. A town built on a hill cannot be hidden. Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house. In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven.

Matthew 25:35-40
"For I was hungry and you gave me something to eat, I was thirsty and you gave me something to drink, I was a stranger and you invited me in, I needed clothes and you clothed me, I was sick and you looked after me, I was in prison and you came to visit me."

“Then the righteous will answer him, ‘Lord, when did we see you hungry and feed you, or thirsty and give you something to drink? When did we see you a stranger and invite you in, or needing clothes and clothe you? When did we see you sick or in prison and go to visit you?’

“The King will reply, ‘Truly I tell you, whatever you did for one of the least of these brothers and sisters of mine, you did for me.’

Ephesians 2:10
For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do.

Romans 1:16
For I am not ashamed of the gospel, because it is the power of God that brings salvation to everyone who believes: first to the Jew, then to the Gentile.

 "Make Me a Blessing"  was written by George Stark Shuler (1882-1973) and Ira Wilson (1880-1950).  Both studied at the Moody Bible Institute in Chicago: Shuler went on to serve on its faculty for four decades. Ira Wilson settled in Dayton, Ohio where he prolifically wrote songs and hymn arrangements for Lorenz Publishing Co.  The two collaborated on "Make Me a Blessing," with Wilson creating the lyrics and Shuler later composing the music.  Schuler unsuccessfully attempted to get publishers interested in the song, but it finally "struck a chord" when it was featured at the 1924 International Sunday School Convention in Cleveland, Ohio, and has been a beloved gospel favorite ever since. 

If this song is new to you and you'd like to hear a recording of it with singing, here's an inspiring, upbeat version from Luther Barnes and the Red Budd Gospel Choir.

Public domain. Courtesy of Cyber Hymnal.




Out in the highways and byways of life,
Many are weary and sad;
Carry the sunshine where darkness is rife,
Making the sorrowing glad.

Chorus:
Make me a blessing, Make me a blessing,
Out of my life may Jesus shine;
Make me a blessing, O Savior, I pray.
Make me a blessing to someone today.

Tell the sweet story of Christ and His love,
Tell of His power to forgive;
Others will trust Him if only you prove
True, ev'ry moment you live.

[Chorus]

Give as 'twas given to you in your need,
Love as the Master loved you;
Be to the helpless a helper indeed,
Unto your mission be true.

POSTLUDE
Benediction Medley:
Blest Be the Tie that Binds 
with God Be With You 'Til We Meet Again


Music by Hans G. Nägeli and William G. Tomer, arranged for solo piano by Mark Hayes

Here is a medley of two beautiful hymns that express the hearts of so many of us as we long to worship alongside our brothers and sisters in Christ once more.  We pray for God's blessings and protection for one another, "'til we meet again."

Blest Be the Tie that Binds

The touching story behind this hymn can be found here

Related Scripture

Galatians 3:28 
There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus.

Galatians 6:2
Carry each other’s burdens, and in this way you will fulfill the law of Christ.

1 John 4:11
Dear friends, since God so loved us, we also ought to love one another.


Lyrics
Blest be the tie that binds
our hearts in Christian love;
the fellowship of kindred minds
is like to that above.

Before our Father's throne
we pour our ardent prayers;
our fears, our hopes, our aims are one,
our comforts and our cares.

We share our mutual woes,
our mutual burdens bear,
and often for each other flows
the sympathizing tear.

When we are called to part,
it gives us inward pain;
but we shall still be joined in heart
and hope to meet again.

This glorious hope revives
our courage by the way,
while each in expectation lives
and waits to see that day.

From sorrow, toil, and pain
and sin, we shall be free;
and perfect love and friendship reign
through all eternity.

God Be with You 'Til We Meet Again

The story behind this beautiful sung benediction can be found here. 

Related Scripture

Numbers 6:24-26
"The Lord bless you
and keep you;
the Lord make his face shine on you
and be gracious to you;
the Lord turn his face toward you
and give you peace."

2 Thessalonians 3:16
Now may the Lord of peace himself give you peace at all times and in every way. The Lord be with all of you.

Acts 20:32
Now I commit you to God and to the word of his grace, which can build you up and give you an inheritance among all those who are sanctified.

Deuteronomy 33:27
The eternal God is your refuge,
and underneath are the everlasting arms.
He will drive out your enemies before you,
saying, ‘Destroy them!’

Song of Songs 2:4
Let him lead me to the banquet hall,
and let his banner over me be love.

Lyrics
God be with you till we meet again;
loving counsels guide, uphold you,
with a shepherd's care enfold you:
God be with you till we meet again.

God be with you till we meet again;
unseen wings protecting hide you,
daily manna still provide you:
God be with you till we meet again.

God be with you till we meet again;
when life's perils thick confound you,
put unfailing arms around you:
God be with you till we meet again.

God be with you till we meet again;
keep love's banner floating o'er you;
smite death's threatening wave before you:
God be with you till we meet again.



Friday, June 19, 2020

Music for At-Home Worship: Sunday, June 21


May you be blessed as you lift your voice today to praise God, our Creator and Father. May the Scripture, songs, stories, and images here encourage and equip you as you greet a new week with a thankful heart, trusting in Him for everything.

TIP: If you encounter any difficulties playing individual songs in the embedded audio players try refreshing/reloading this page, and then try again.  

PRELUDE


When I Consider How the Father Loves

Composed by Penny Rodriguez

"When I Consider How the Father Loves" is a lovely contemplative piano solo by Penny Rodriguez, a pianist and composer who lives in Indianapolis, Indiana.  She began playing piano at age six as the child of missionary parents in Peru, and later studied at the Moody Bible Institute and at the American Conservatory in Chicago, majoring in piano performance.


HYMNS FOR YOU TO SING AT HOME




Words by Fanny Crosby, Music by William H. Doane

Psalm 29:1-2
Ascribe to the Lord, you heavenly beings,
   ascribe to the Lord glory and strength.
Ascribe to the Lord the glory due his name;
   worship the Lord in the splendor of his holiness.

Psalm 71:19
Your righteousness, God, reaches to the heavens,
you who have done great things.
Who is like you, God?

Psalm 106:1
Praise the Lord!
Give thanks to the Lord, for he is good;
his love endures forever.

1 Chronicles 16:31
Let the heavens rejoice, and let the earth be glad;
And let them say among the nations, “The Lord reigns.”

Frances ("Fanny") Jane Crosby (1820-1915) wrote over 8,000 hymns and was featured previously on "Notes of Glory" (here is the link to the May 10 post, which includes a video link to a wonderful documentary about Fanny's life). Fanny's hymn "To God Be the Glory" has an interesting history, as it was initially better known in England, in spite of the fact that both lyrics and music were composed by Americans. After its first published appearance in Robert Lowry and William Doane's hymn collection The Brightest and Best in 1875, the hymn was included in singer/composer Ira Sankey's British musical collections Sacred Songs and Solos, thereby introducing it to Christians "across the pond."  

Singer and musical director Cliff Barrows included "To God Be the Glory" in the songbook for Billy Graham's 1954 London crusade because it was a familiar hymn in evangelistic circles in England: as a result of its popularity it was also used in Graham's Nashville, Tennessee crusade later that year where it was "reintroduced" to America.  Barrows later recalled in Crusade Hymn Stories, "of all the songs that have been popularized through crusade activity, we are most happy about this one. Its testimony should rebound in the heart of every Christian; every area of a person’s life should reflect this witness, 'To God be the glory.'"

Fanny Crosby and composer William Doane (1832-1915) collaborated on many hymns, including "Rescue the Perishing," "Near the Cross" and "Safe in the Arms of Jesus."  You can read more about "To God be the Glory" and its history hereHere's a recording of "To God Be the Glory" as sung at the Billy Graham crusade in Brisbane, Australia in 1959.







To God be the glory, great things he has done!
So loved he the world that he gave us his Son,
who yielded his life an atonement for sin,
and opened the life gate that we may go in.

Refrain:
Praise the Lord, praise the Lord,
let the earth hear his voice!
Praise the Lord, praise the Lord,
let the people rejoice!
O come to the Father through Jesus the Son,
and give him the glory, great things he has done!

O perfect redemption, the purchase of blood!
To ev'ry believer the promise of God;
the vilest offender who truly believes,
that moment from Jesus forgiveness receives. [Refrain]

Great things he has taught us, great things he has done,
and great our rejoicing through Jesus the Son;
but purer and higher and greater will be
our wonder, our transport, when Jesus we see. [Refrain]

This is My Father's World


Words by Maltbie D. Babcock.  "Terra Beata" hymn tune arranged by Franklin L. Sheppard


Psalm 24:1-2
The earth is the Lord’s, and everything in it,
the world, and all who live in it;
for he founded it on the seas
and established it on the waters.

Psalm 19:1-6
The heavens declare the glory of God;
the skies proclaim the work of his hands.
Day after day they pour forth speech;
night after night they reveal knowledge.
They have no speech, they use no words;
no sound is heard from them.
Yet their voice goes out into all the earth,
their words to the ends of the world.
In the heavens God has pitched a tent for the sun.
It is like a bridegroom coming out of his chamber,
like a champion rejoicing to run his course.
It rises at one end of the heavens
and makes its circuit to the other;
nothing is deprived of its warmth.

Acts 4:24
When they heard this, they raised their voices together in prayer to God. “Sovereign Lord,” they said, “you made the heavens and the earth and the sea, and everything in them.

Psalm 148
Praise the Lord!
Praise the Lord from the heavens;
   praise him in the heights above.
Praise him, all his angels;
   praise him, all his heavenly hosts.
Praise him, sun and moon;
   praise him, all you shining stars.
Praise him, you highest heavens
   and you waters above the skies.

Let them praise the name of the Lord,
   for at his command they were created,
and he established them for ever and ever—
   he issued a decree that will never pass away.

Praise the Lord from the earth,
   you great sea creatures and all ocean depths,
lightning and hail, snow and clouds,
   stormy winds that do his bidding,
you mountains and all hills,
   fruit trees and all cedars,
wild animals and all cattle,
    small creatures and flying birds,
kings of the earth and all nations,
   you princes and all rulers on earth,
young men and women,
   old men and children.

Let them praise the name of the Lord,
   for his name alone is exalted;
   his splendor is above the earth and the heavens.
And he has raised up for his people a horn,
   the praise of all his faithful servants,
   of Israel, the people close to his heart.
Praise the Lord.

As a young Presbyterian minister in Lockport, New York,  Maltbie Babcock (1858-1901) loved to travel to the area near the Niagara escapement for long walks and would often proclaim to his secretary, "I'm going out to see my Father's world" as he set out. Babcock, a graduate of Syracuse University and Auburn Theological Seminary, had many hobbies and interests, including music (he played organ, piano, and violin) and sports like swimming and baseball: he was also an avid outdoorsman. 

After pastoring churches in Lockport (NY) and Baltimore, Maryland, in 1900 Babcock accepted a position as senior pastor at the Brick Church in New York City.  The following year, Babcock died at the age of 42 as a result of a bacterial infection he contracted after a visit to the Holy Land. His collected poems and essays were published posthumously later that year (1901) in a devotional collection titled Thoughts for Everyday Living from the Spoken and Written Words of Maltbie Davenport Babcock.  This small book contained the poem, "This Is My Father's World," which was later set to music composed by Babcock's friend, Franklin L. Sheppard in 1915.

To learn more about Babcock, read some of his sermons and poems, and view the magnificent stained glass Louis Comfort Tiffany window dedicated in his honor by members of the Brown Memorial Park Avenue Presbyterian Church in Baltimore (where he served as pastor from 1897-1900), see this post. 

Here's a beautiful poem by Babcock from Thoughts for Everyday Living that you might enjoy reading as a companion to "This is My Father's World" 

Worship

When the great sun sinks to his rest,
His golden glories thrilling me,
And voiceless longings stir my breast,
Then teach me, Lord, to worship Thee.

And when the stars—the daylight fled—
In serried, shining ranks I see,
Filling the splendid vault o’erhead,
Then teach me, Lord, to worship Thee.

Or if in solemn forest shades
The calm of nature steals o’er me,
And silence all my soul pervades,
Then teach me, Lord, to worship Thee.

Not in the sacred shrines alone,
Which chime their summons unto me,
Would I look upward to Thy throne,
But everywhere would worship Thee.

Public Domain. Via Hymnary.org


This is my Father's world,
And to my listening ears
All nature sings, and round me rings
The music of the spheres.
This is my Father's world:
I rest me in the thought
Of rocks and trees, of skies and seas--
His hand the wonders wrought.

This is my Father's world:
The birds their carols raise,
The morning light, the lily white,
Declare their Maker's praise.
This is my Father's world:
He shines in all that's fair;
In the rustling grass I hear Him pass,
He speaks to me everywhere.

This is my Father's world:
O let me ne'er forget
That though the wrong seems oft so strong,
God is the Ruler yet.
This is my Father's world:
Why should my heart be sad?
The Lord is King: let the heavens ring!
God reigns; let earth be glad!

Dear Lord and Father of Mankind

Sea of Galilee (xxx)
Sea of Gaililee. Davidbena / CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)

Words by John Greenleaf Whitter, Music by Frederick C. Maker

John Greenleaf Whitter (1807-1892) was an American Quaker poet and abolitionist. His best-known hymn, "Dear Lord and Father of Mankind" was extracted from a much longer 1872 poem titled "The Brewing of Soma" in which Whittier contrasted pagan rituals (which he believed had even infiltrated Christianity) with the calm and contentment of a simple, committed faith. You can read the entire poem here: "Dear Lord and Father" appears beginning in the 12th stanza.  Here's an excellent reflection on the hymn in its original poetic context.

Frederick C. Maker (`844-1927) was a British organist and composer based in Bristol. He wrote the tune commonly titled "Rest" in 1887 for a different poem/hymn, "There is an Hour of Peaceful Rest," but it is most frequently paired with "Dear Lord and Father" here in the United States (this is the version we are singing today). A different tune, "Repton" by Sir Hubert Parry, is typically matched with "Dear Lord and Father" when sung in England.




Dear Lord and Father of mankind,
forgive our foolish ways;
reclothe us in our rightful mind,
in purer lives thy service find,
in deeper reverence, praise.

In simple trust like theirs who heard
beside the Syrian sea
the gracious calling of the Lord,
let us, like them, without a word
rise up and follow thee.

O Sabbath rest by Galilee,
O calm of hills above,
where Jesus knelt to share with thee
the silence of eternity,
interpreted by love!

Drop thy still dews of quietness,
till all our strivings cease;
take from our souls the strain and stress,
and let our ordered lives confess
the beauty of thy peace.

Breathe through the heats of our desire
thy coolness and thy balm;
let sense be dumb, let flesh retire;
speak through the earthquake, wind, and fire,
O still, small voice of calm!

POSTLUDE


Traditional African-American spiritual, arranged for solo piano by Victor Labenske

Psalm 89:52
Praise be to the Lord forever!
Amen and Amen.

According to the Psalter Hymnal Handbook (cited at Hymnary.org), the text for this African-American spiritual/gospel song provides brief glimpses into Jesus' life: his birth; his astounding wisdom at age 12 when teaching in the temple; his ministry of preaching and healing; his suffering in Gethsemane; and his crucifixion and resurrection. "All text is framed by the repeated 'Amen' responses; as we sing we reaffirm that 'truly, truly, this is the gospel!'"

The first well-known recording of this song was by the Wings of Jordan Gospel Choir in 1948: here's a link to their version.  And here's a wonderful article from NPR that discusses this group's history and their significance in pioneering the first national and international radio programs featuring  African-Americans. "Amen, Amen" was arranged by composer, choral conductor, arranger and actor Jester Hairston (1901-2000) and was featured in the 1963 Sidney Poitier film Liles of the Field.  The following year, the Impressions, an American musical group recorded their own version (here's a link to their recording). 




All:
Amen, amen, amen,
amen, amen, amen . . .

*Leader:
See the little baby . . .
lying in a manger . . .
on Christmas morning. . . .

See him at the temple . . .
talking to the elders . . .
how they marveled at his wisdom. . . .

See him at the seaside . . .
preaching and healing . . .
the blind and feeble. . . .

See him in the garden . . .
praying to his Father . . .
in deepest sorrow. . . .

Then they crucified him . . .
Jesus our Savior . . .
and he rose on Easter. . . .

*One person sings the stanzas while everyone else continues to sing
"Amen."