Saturday, December 26, 2020

Music for Anywhere Worship: Sunday, December 27, 2020

Glory to the Newborn King!




Yes, we celebrated Christmas yesterday.  

We celebrated the birth of our Savior with feasts, gifts, prayers, songs, and grateful hearts.  Many of you may be pulling down decorations today, finishing up holiday leftovers, and moving forward.

Here on "Notes of Glory" we're going to hit "pause" briefly and enjoy one more week of what some churches call the season of "Christmastide" which actually begins on Christmas Day!

Today, music will be featured which focuses on our response to the birth of Christ: our joy, our wonder, our awe. We give thanks for the gift of Jesus, and for the miracle of the Incarnation as we sing songs that convey our reactions and compel us to action--to share the Good News!  

If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows).  

Here's an alphabetical list of all  "Notes of Glory" music with links so that you can revisit your favorite hymns/songs. 


PRELUDE
(to prepare you to worship with joy!)

What is this Lovely Fragrance?
(Quelle est cette odeur agréable?)




Traditional French carol. Arranged for solo piano by Larry Shackley

Isaiah 28:5
In that day the Lord of hosts will be a crown of glory,
and a diadem of beauty, to the remnant of his people.

Revelation 22:16
I, Jesus, have sent my angel to testify to you about these things for the churches. I am the root and the descendant of David, the bright morning star.
__________________________

"What is this lovely fragrance?" dates to 17th-century France. In this carol, as in the others featured today, Christ is (already) born: the lyrics are about how we (and various characters in the Nativity story) respond to that. The first two stanzas ask questions that are related to our senses. First, the shepherds are asked about the ravishingly beautiful fragrance that fills the air... not a typical question for rural shepherds caring for animals not known for their appealing smell!  The lovely fragrance is Christ, metaphorically described as "gentler than all the flow’rs of springtime, wafting from heav’n in sweet delight." In the second stanza, the sense of sight is summoned as questions are asked about the dazzling star that guided the Magi to Christ (who himself is the morning star, see Revelation 22:16). The third stanza answers the questions posed earlier by directing us toward "our Redeemer, Lord, and King." 

The traditional folk melody matched with this carol perfectly reflects the beauty of the lyrics, and Larry Shackley's arrangement for solo piano featured here is full of warmth and tenderness. 


Shepherds, what is this lovely fragrance,
Filling the air this wondrous night?
Gentler than all the flow’rs of springtime,
Wafting from heav’n in sweet delight.
Shepherds what is this lovely fragrance,
Filling the air this wondrous night?

What is this light, so clear so brilliant,
Filling the sky before our eyes?
Brighter than day a star is shining,
Ne’er have we seen such radiant skies!
What is this light, so clear so brilliant,
Filling the sky before our eyes?

In Bethlehem in lowly manger,
Lies our Redeemer, Lord, and King.
Come, let us hasten to adore Him,
And there to Him, our praises sing!
In Bethlehem in lowly manger,
Lies our Redeemer, Lord and King.

HYMNS TO SING WHEREVER YOU ARE
(transposed to easily singable keys!)

Go, Tell it on the Mountain




Traditional African-American Spiritual, Words adapted by John Wesley Work II

Isaiah 40:9-11
Go on up to a high mountain,
O Zion, herald of good news;
lift up your voice with strength,
O Jerusalem, herald of good news;
lift it up, fear not;
say to the cities of Judah,
“Behold your God!”
Behold, the Lord God comes with might,
and his arm rules for him;
behold, his reward is with him,
and his recompense before him.
He will tend his flock like a shepherd;
he will gather the lambs in his arms;
he will carry them in his bosom,
and gently lead those that are with young.

Matthew 28:19
Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.

Luke 2:15-20
When the angels went away from them into heaven, the shepherds said to one another, “Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.” And they went with haste and found Mary and Joseph, and the baby lying in a manger. And when they saw it, they made known the saying that had been told them concerning this child. And all who heard it wondered at what the shepherds told them. But Mary treasured up all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them.

Romans 1:16
For I am not ashamed of the gospel, for it is the power of God for salvation to everyone who believes, to the Jew first and also to the Greek.
____________________

The refrain of the great African-American spiritual "Go Tell it on the Mountain," echoing Isaiah 40 and recalling the Great Commission in Matthew 28, boldly tells us what to do with the news of Jesus's birth.  We're not to acknowledge it quietly and go on with business as usual. We're to share the Gospel, the Good News, "that God sent us salvation, that blessed Christmas morn," far and wide . . . "over the hills and everywhere."   

This spiritual which dates to at least 1865 (and perhaps earlier) was first notated and published by John Wesley Work II (1871-1925). Work served as the director of the Fisk Jubilee Singers, the pioneering vocal ensemble from Fisk University that first performed traditional African-American spirituals in concert here and abroad, bringing awareness of this vital musical form to the world. 

Here's a short video that provides more information about  "Go, Tell it on the Mountain."  

Here's Mahalia Jackson singing "Go, Tell it on the Mountain, and here is a version by the Staples Singers.   

Now: it's your turn to sing!







Refrain:
Go tell it on the mountain,
over the hills and everywhere;
go tell it on the mountain
that Jesus Christ is born!

While shepherds kept their watching
o’er silent flocks by night,
behold throughout the heavens
there shone a holy light. [Refrain]

The shepherds feared and trembled
when lo! above the earth
rang out the angel chorus
that hailed our Savior’s birth. [Refrain]

Down in a lowly manger
the humble Christ was born,
and God sent us salvation
that blessed Christmas morn. [Refrain]

Thou Didst Leave Thy Throne




Words by Emily Elizabeth Steele Elliot, Music by Timothy R. Matthews

Matthew 8:20
And Jesus said to him, “Foxes have holes, and birds of the air have nests, but the Son of Man has nowhere to lay his head.”

Luke 2:7
And she gave birth to her firstborn son and wrapped him in swaddling cloths and laid him in a manger, because there was no place for them in the inn.

Mark 13:26-27
And then they will see the Son of Man coming in clouds with great power and glory. And then he will send out the angels and gather his elect from the four winds, from the ends of the earth to the ends of heaven.

John 14:2
In my Father's house are many rooms. If it were not so, would I have told you that I go to prepare a place for you?
____________________

Here's another hymn that focuses on Jesus's birth as having happened (the lyrics in the first four verses use the past tense) and then reminds us that this historical event should initiate a personal response now (the short refrain to each verse is in the present tense). In "Thou Didst Leave Thy Throne," the Incarnation is not just a pretty story to ponder once a year, but invites us to open our hearts to Jesus each day, and to "make room" for him, welcoming Christ to sit not on the sidelines of our lives but on the very throne of our hearts. A wonderful aspect of this hymn is that the lyrics recall the Nativity and then recount Jesus's life, death, resurrection, and second coming.  From the very first line of  "Thou Didst Leave Thy Throne,"  Jesus's majesty is emphasized while being juxtaposed with his act of entering this world and suffering on our behalf.  He is not just a lowly babe in the manger, he is "Lord Jesus" with a "royal degree." Our King came to earth "with great humility," and left his "kingly crown," willingly taking up "a crown of thorn."  The final stanza points to Jesus's return, and our joy in being united with Him as believers. 

The author of these poignant lyrics was British hymn writer Emily Elizabeth Steele Elliott (1836-1897), who was the daughter of an Anglican clergyman and niece of Charlotte Elliott, author of "Just As I Am." Emily Elliott wrote a number of hymn collections, including one titled "Under My Pillow" which was intended to comfort those who were ill or suffering. "Thou Didst Leave Thy Throne"  (like another beloved Christmas hymn, "Once in Royal David's City") was originally written to teach children about the life of Christ and the significance of the Incarnation. The beautiful melody by English clergyman and organist Timothy Richard Matthews (1836-1897) was composed specifically for this text. 

If this hymn is new to you (and it may be!) you may enjoy hearing this recording by George Beverly Shea. As always, the sheet music and lyrics are posted below, and I've recorded a piano accompaniment (that should be in a comfortable key for you, hopefully!) to guide you through the singing of this hymn.  I hope you'll give this theologically rich and beautiful hymn it a try: perhaps it will become a new Christmastide favorite!







Thou didst leave Thy throne and Thy kingly crown,
When Thou camest to earth for me;
But in Bethlehem's home was there found no room
For Thy holy nativity.
O come to my heart, Lord Jesus,
There is room in my heart for Thee.

Heaven's arches rang when the angels sang,
Proclaiming Thy royal degree;
But of lowly birth didst Thou come to earth,
And in great humility.
O come to my heart, Lord Jesus,
There is room in my heart for Thee.

The foxes found rest, and the birds their nest
In the shade of the forest tree;
But Thy couch was the sod, O Thou Son of God,
In the deserts of Galilee.
O come to my heart, Lord Jesus,
There is room in my heart for Thee.

Thou camest, O Lord, with the living word
That should set Thy people free;
But with mocking scorn, and with crown of thorn,
They bore Thee to Calvary.
O come to my heart, Lord Jesus,
There is room in my heart for Thee.

When the heavens shall ring, and the angels sing,
At Thy coming to victory,
Let Thy voice call me home, saying "Yet there is room,
There is room at My side for thee."
My heart shall rejoice, Lord Jesus,
When Thou comest and callest for me.

There's a Song in the Air



Words by Josiah G. Holland, Music by Karl P. Harrington

Luke 2:10-14
And the angel said to them, “Fear not, for behold, I bring you good news of great joy that will be for all the people. For unto you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a baby wrapped in swaddling cloths and lying in a manger.” And suddenly there was with the angel a multitude of the heavenly host praising God and saying,
 “Glory to God in the highest,
and on earth peace among those with whom he is pleased!”

Philippians 2:5-11
Have this mind among yourselves, which is yours in Christ Jesus, who, though he was in the form of God, did not count equality with God a thing to be grasped, but emptied himself, by taking the form of a servant, being born in the likeness of men. And being found in human form, he humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name, so that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father.
________________________________

"There's a Song in the Air" was written in 1872 by American novelist, poet, and editor Josiah Gilbert Holland (1819-1881) and was published a collection of Sunday School songs titled The Brilliant.  Holland had a long and varied literary career, and he and his wife were friends and longtime correspondents with the poet Emily Dickinson.  As a result of Holland's multi-faceted presence in American literary life of the mid-1800s, this hymn has a definite historically poetic quality not unlike two other American Christmas hymns from this era, "I Heard the Bells on Christmas Day," and "It Came Upon a Midnight Clear." Although some of the language in "There's a Song in the Air" seems a bit unusual to us today (i.e. "the beautiful sing" does not refer to physical beauty but rather to the angels praising God, and, in the third verse, to those who realize Christ as Savior) and there is some romantic-era idealism ("every hearth is a-flame" is a longing for the realization of "every knee shall bow" as in Philippians 2:5-11), this hymn is still a lovely way to celebrate the ebullient joy we experience when recalling Christ's birth.  

If this hymn is new to you (and again, it might be!) give a listen to this recording of "There's a Song in the Air" by Dick Anthony's 16 Singing Men.   Then give this hymn a try!  







There's a song in the air!
There's a star in the sky!
There's a mother's deep prayer
and a baby's low cry!
And the star rains its fire
while the beautiful sing,
for the manger of Bethlehem
cradles a King!

There's a tumult of joy
o'er the wonderful birth,
for the virgin's sweet boy
is the Lord of the earth.
Ay! the star rains its fire
while the beautiful sing,
for the manger of Bethlehem
cradles a King!

In the light of that star
lie the ages impearled;
and that song from afar
has swept over the world.
Every hearth is aflame,
and the beautiful sing
in the homes of the nations
that Jesus is King!

We rejoice in the light,
and we echo the song
that comes down through the night
from the heavenly throng.
Ay! we shout to the lovely
evangel they bring,
and we greet in his cradle
our Savior and King! 

POSTLUDE
(to help you go forth with joy!)

Jesus, Jesus, Oh What a Wonderful Child!
(Glory to the Newborn King)



Words and music by Margaret Wells Allison, arranged by Larry Shackley

Luke 2:13-14
And suddenly there was with the angel a multitude of the heavenly host praising God and saying,
“Glory to God in the highest,
and on earth peace among those with whom he is pleased!”
______________________

Although described often as a traditional spiritual, "Jesus! Oh What a Wonderful Child" (also often titled "Glory to the Newborn King" most likely was composed by Margaret Wells Allison (1921-2008), founder of the Angelic Gospel Singers.  (Here's an article that explores the history of this song in greater detail, and a recording of the Angelic Gospel Singers performing this song). 

The upbeat, joy-filled song tells us that "new life, new hope, new joy He brings."  Along with the angels, we cry out, "Glory, Glory, Glory to the newborn King." Composer and arranger Larry Shackley captures that joy in this gospel-inspired piano arrangement. 


Jesus, Jesus
Oh what a wonderful child 
Jesus, Jesus 
So lowly meek and mild 
New life, new hope, new joy He brings 
Won't you listen to the angels sing 
Glory, glory, glory 
To the newborn King

Here's a playlist with all the music featured on today's post!

Friday, December 18, 2020

Music for Anywhere Worship: Sunday, December 20, 2020 (Fourth Sunday of Advent)




On this fourth and final Sunday of Advent, we rejoice "with heart and soul and voice" in the birth of Jesus Christ!





If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows).  

Here's an alphabetical list of all  "Notes of Glory" music with links so that you can revisit your favorite hymns/songs. 


Dear friends, as we prepare to worship, let your hearts be glad as you ponder the miracle of God's gift to us:





PRELUDE
(to prepare you to worship with joy!)

Ding Dong Merrily on High



Words by George Ratcliffe Woodward, "Branle l'Officiel" traditional French tune. Arranged for solo piano by Marilyn Thompson.

Luke 2:8-14
And in the same region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with great fear. And the angel said to them, “Fear not, for behold, I bring you good news of great joy that will be for all the people. For unto you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a baby wrapped in swaddling cloths and lying in a manger.” And suddenly there was with the angel a multitude of the heavenly host praising God and saying,
“Glory to God in the highest,
and on earth peace among those with whom he is pleased!
____________________

Like "Angels We Have Heard on High," another carol with a French tune, "Ding Dong Merrily on High" has an extended "Gloria" section, recalling the praise of the angels as they appeared to the shepherds. Don't be surprised if the lively melody makes your toes start to tap: originally titled "Branle de l'Officiel," the tune was included in a French Renaissance-era dance guidebook compiled by cleric and composer Jehan Tabourot (1520-1595). A branle was a specific type of dance from this period: here's a video showing dancers stepping in time to this historic tune).  

More than three centuries later, Anglican priest and poet George Ratcliffe Woodward (1848-1934) composed the English lyrics to match this vivacious tune. Woodward was an accomplished musician whose hobbies included bellringing. He wrote several collections of carols including A Cambridge Carol Book: Being Fifty-two Songs for Christmas, Easter and Other Seasons (1924), in which "Ding Dong Merrily on High" first appeared.

The jubilant, effervescent quality of the music combined with the text beautifully expresses our joy at the birth of Christ.  Even though we live in a different era when church bells are rarely heard, the lyrics still encourage us to make a joyful noise to the Lord!  Marilyn Thompson's piano arrangement features keyboard figuration reminiscent of pealing bells, a perfect match for the happy text and tune.

Ding dong, merrily on high!
In heav’n the bells are ringing;
ding dong, verily the sky
is riv’n with angel singing.
Gloria, hosannah in excelsis!
Gloria, hosannah in excelsis!

E'en so here below,
let steeple bells be swungen,
And io, io, io,
by priest and people sungen.
Gloria, hosannah in excelsis!
Gloria, hosannah in excelsis!

Pray ye dutifully prime
your matin chime, ye ringers;
may ye beautifully rhyme
your evetime song, ye singers.
Gloria, hosannah in excelsis!
Gloria, hosannah in excelsis!

HYMNS FOR YOU TO SING WHEREVER YOU ARE

Joy to the World



Words by Isaac Watts. "Antioch" hymn tune, attributed to George Frideric Handel, adapted by Lowell Mason


Psalm 98:1-3
Oh sing to the Lord a new song,
for he has done marvelous things!
His right hand and his holy arm
have worked salvation for him.
The Lord has made known his salvation;
he has revealed his righteousness in the sight of the nations.
He has remembered his steadfast love and faithfulness
to the house of Israel.
All the ends of the earth have seen
the salvation of our God.

Psalm 96:11-12
Let the heavens be glad, and let the earth rejoice;
let the sea roar, and all that fills it;
let the field exult, and everything in it!
Then shall all the trees of the forest sing for joy
Genesis 3:17-18
And to Adam he said,
“Because you have listened to the voice of your wife
and have eaten of the tree
of which I commanded you,
‘You shall not eat of it,’
cursed is the ground because of you;
in pain you shall eat of it all the days of your life;
thorns and thistles it shall bring forth for you;
and you shall eat the plants of the field.
___________________

Although "Joy to the World" is usually right at the top of lists of beloved Christmas carols, its text is not drawn from the Christmas narratives in the Bible, but was rather based on parts of Psalm 98 and 96 as well as Genesis 3:17-18 (all listed above).  The great British poet, clergyman and hymnwriter Isaac Watts (1674-1748) was active during a time in English church history when congregational singing during services was mainly limited to psalm settings.  In 1719, Watts wrote a poetic paraphrase of Psalm 98 in two parts, and "Joy to the World" comes from the second part of this poem, titled "The Messiah's Coming and Kingdom."  Indeed, while the text does work well as a Christmas hymn, it points us even more dramatically toward the second coming of Christ (see Revelation 21:1-5, especially verse 4: "He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.”) 

The tune sung today with "Joy to the World" is thought to be based on based on several melodic fragments from The Messiah by German Baroque composer George Friedrich Handel (1685-1759), although these is considerable scholarly debate about this! We do know that American composer, arranger, and educator Lowell Mason (1792-1872) published this tune, attributed to Handel, under the title "Antioch" in an 1848 book, The National Psalmist.  

Whether celebrating the first or anticipating the second coming of Christ (or both), whether you are singing this song for the first, tenth, or hundredth time . . . may you rejoice in the marvelous things the Lord has done, is doing, and will continue to do for all eternity!

Here is a roof-raising, stunningly beautiful performance of "Joy to the World" by the choir and orchestra of George Fox University that should whet your appetite for singing this great hymn with all you've got!  






Joy to the world! the Lord is come;
Let earth receive her King;
Let ev'ry heart prepare him room,
And heav'n and nature sing,
And heav'n and nature sing,
And heav'n, and heav'n and nature sing.

Joy to the earth! the Savior reigns;
Let all their songs employ,
While fields and floods, rocks, hills, and plains
Repeat the sounding joy,
Repeat the sounding joy,
Repeat, repeat the sounding joy.

No more let sin and sorrow grow,
Nor thorns infest the ground;
He comes to make his blessings flow
Far as the curse is found,
Far as the curse is found,
Far as, far as the curse is found.

He rules the world with truth and grace,
And makes the nations prove
The glories of his righteousness,
And wonders of his love,
And wonders of his love,
And wonders, wonders of his love.

Hark! The Herald Angels Sing

Words by Charles Wesley, Music by Felix Mendelssohn

Luke 2:14
“Glory to God in the highest,
and on earth peace among those with whom he is pleased

2 Corinthians 5:17-19
Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come. All this is from God, who through Christ reconciled us to himself and gave us the ministry of reconciliation; that is, in Christ God was reconciling the world to himself, not counting their trespasses against them, and entrusting to us the message of reconciliation. 

Galatians 4:4
But when the fullness of time had come, God sent forth his Son, born of woman, born under the law,  to redeem those who were under the law, so that we might receive adoption as sons.
_____________________

Many wonderful hymns feature occasional words or references that require a bit of historical or Biblical research (e.g. " here I lay my Ebenezer" in "Come Thou Fount of Many Blessing") One of the best loved Christmas carols of all time, "Hark the Herald Angels Sing" originally featured a somewhat obscure word in its first line that may have limited its popularity, if it were not for the editorial input of one of the hymnwriter's friends. 

"Hark the Herald Angels Sing" was written by British hymnwriter Charles Wesley (1707-1788), whose hymns have been featured many times here on Notes of Glory.  First published in 1739 as part of the collection Hymns and Sacred Poems, the first line of this carol was originally "Hark how all the welkin rings, Glory to the King of Kings." Welkin was a word that referred to the heavens or the sky, which makes sense as the location of the angels praising God...but the word was not in common usage even in that era. Evangelist George Whitefield (1714-1770), a friend of Wesley's, changed the text in the 1754 Collection of Hymns for Social Worship to "Hark the herald angels sing, glory to the newborn king."  The melody we sing with this carol comes from an 1840 cantata written by German composer Felix Mendelssohn, Festgesang, which commemorates the invention of the movable type press by Johannes Gutenberg.  This melody was adapted to fit the text of "Hark the Herald Angels Sing" by British organist and singer William Hayman Cummings (1831-1915) in 1855.

Here's a wonderful article from Hymnology Archive that explains in greater detail the history of this magnificent carol.  And here's the King's College Choir (and congregation) singing "Hark the Herald Angels Sing" at the 2012 "Carols from King's" presentation. 





Hark! the herald angels sing,
"Glory to the newborn King:
peace on earth, and mercy mild,
God and sinners reconciled!"
Joyful, all ye nations, rise,
join the triumph of the skies;
with th'angelic hosts proclaim,
"Christ is born in Bethlehem!"

Refrain:
Hark! the herald angels sing,
"Glory to the newborn King"

Christ, by highest heaven adored,
Christ, the everlasting Lord,
late in time behold him come,
offspring of the Virgin's womb:
veiled in flesh the Godhead see;
hail th'incarnate Deity,
pleased with us in flesh to dwell,
Jesus, our Immanuel. [Refrain]

Hail the heaven-born Prince of Peace!
Hail the Sun of Righteousness!
Light and life to all he brings,
risen with healing in his wings.
Mild he lays his glory by,
born that we no more may die,
born to raise us from the earth,
born to give us second birth. [Refrain]

Silent Night











Words by Joseph Mohr, Music by Franz Gruber 

 Matthew 1:23 
“Behold, the virgin shall conceive and bear a son, 
and they shall call his name Immanuel” 
(which means, God with us).
 _____________________

A broken-down organ. A small, rural church.  A quickly-approaching Christmas service, posing a musical dilemma.

These surprising ingredients combined to provide the world with "Silent Night," a Christmas song which is cherished around the world. 

Here's a lovely documentary that tells the story behind the song better than I ever could!  You might enjoy watching this video before singing "Silent Night" with your family this Christmas. 
 
 


Come, let us worship and adore Him. 
Public Domain. Courtesy of Hymnary.org




Silent night, holy night!
All is calm, all is bright
'Round yon virgin mother and child.
Holy Infant so tender and mild,
Sleep in heavenly peace,
Sleep in heavenly peace.

Silent night, holy night!
Shepherds quake at the sight;
Glories stream from heaven afar;
Heav'nly hosts sing "alleluia!
Christ, the Savior, is born!
Christ, the Savior, is born!"

Silent night, holy night!
Son of God, love's pure light
Radiant beams from thy holy face,
With the dawn of redeeming grace,
Jesus, Lord, at thy birth,
Jesus, Lord, at thy birth.

POSTLUDE
(to help you go forth into Christmas week with joy!)

The Sussex Carol



Words by Luke Wadding, arranged by Ralph Vaughan Williams. Solo piano arrangement by Mark Hayes

Isaiah 25:9
It will be said on that day,
“Behold, this is our God; we have waited for him, that he might save us.
This is the Lord; we have waited for him;
let us be glad and rejoice in his salvation.”
____________________

This carol was first published in Ghent, Belgium n 1684 as part of a collection by Irish priest Luke Wadding (c. 1628-1691) titled A Small Garland of Pious and Godly Songs, Composed by a devout Man, For the Solace of his Friends and neighbors in their afflictions. Originally known by its first line, "On Christmas Night All Christians Sing," the song known as the "Sussex Carol" today owes its shortened title to British composer Ralph Vaughan Williams (1872-1958) who first heard it performed by singer Harriet Verrall in West Sussex, England, in 1904. Vaughan Williams arranged the carol and published it as part of his Eight Traditional English Carols of 1919.  It was also included in The Oxford Book of Carols (1924). This carol overflows with joy and excitement, and Mark Hayes' arrangement for solo piano is similarly bright, exuberant, and full of "great mirth" at the "news of our merciful King's birth." 

On Christmas night all Christians sing,
to hear the news the angels bring;
on Christmas night all Christians sing,
to hear the news the angels bring,
news of great joy, news of great mirth,
news of our merciful King’s birth.

Then why should we on earth be sad,
since our Redeemer made us glad;
then why should we on earth be sad,
since our Redeemer made us glad,
when from our sin he set us free,
all for to gain our liberty?

When sin departs before his grace,
then life and health come in its place;
when sin departs before his grace,
then life and health comes in its place;
heaven and earth with joy may sing,
all for to see the newborn King.

All out of darkness we have light,
which made the angels sing this night;
all out of darkness we have light,
which made the angels sing this night:
"Glory to God in highest heaven;
peace on earth and goodwill. Amen!"

Here's a complete playlist of all the music featured in today's post, along with playlists from the three previous Advent editions of "Notes of Glory."



Merry Christmas!

Thursday, December 10, 2020

Music for Anywhere Worship: Sunday, December 13, 2020 (Third Sunday of Advent)

Welcome to the Third Sunday of Advent on Notes of Glory!







We are continuing to celebrate the season of Advent by contemplating the birth of Jesus Christ, our Lord and Savior.  As always, here is a short song service created this week just for you, with prelude and postlude music as well as three beloved carols that you can sing at home or wherever you are!





If you are a first-time visitor, click here to find out the story of "Notes of Glory." (You will also find instructions here for listening to music using the SoundCloud windows).  

Here's an alphabetical list of all  "Notes of Glory" music with links so that you can revisit your favorite hymns/songs. 


PRELUDE
(to help you enter into a spirit of worship)

The Wexford Carol

Traditional Irish Carol, arranged for solo piano by Howard Helvey

John 1:14
And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth.
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Dating to the 16th century or earlier, this carol's exact age is uncertain, but "The Wexford Carol" came to prominence in the late 1800s when Dr. William Grattan Flood (1857-1928), organist and music director at St. Aidan's Cathedral in Enniscorthy (County Wexford, Ireland) began to incorporate it into Christmas services there. In 1928 it was published in The Oxford Book of Carols.

Like many other Christmas carols, "The Wexford Carol" relates the story of Christ's birth. Unlike other carols that simply provide a narrative, "The Wexford Carol" begins in the imperative, with a clarion call to "consider well and bear in mind, what our good God for us has done, in sending his beloved son." These lines frame the entire carol with a sense of depth and reverence, especially when matched with such a poignant melody.  And they sum up the essence of the entire celebration of Christmas by pointing us to the truth of the Incarnation: "For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life (John 3:16).  Indeed, the final line of the final verse reminds us that Jesus is the "Lord of Life," a fitting ending to such a profound and lovely carol. Here's a thoughtful, lyrical piano arrangement by composer, arranger, pianist and organist Howard Helvey of this classic carol: it's lovely as an instrumental solo but will be so much more meaningful if you meditate on the lyrics provided below while you listen. 


Good people all, this Christmas time,
Consider well and bear in mind
What our good God for us has done
In sending his beloved son
With Mary holy we should pray,
To God with love this Christmas Day
In Bethlehem upon that morn,
There was a blessed Messiah born.

The night before that happy tide
The noble virgin and her guide
Were long time seeking up and down
To find a lodging in the town.
But mark how all things came to pass:
From every door repelled, alas!
As long foretold, their refuge all
Was but a humble oxen stall.

 Near Bethlehem did shepherds keep
Their flocks of lambs and feeding sheep;
To whom God’s angels did appear
Which put the shepherds in great fear.
Prepare and go, the angels said,
To Bethlehem, be not afraid;
For there you’ll find, this happy morn,
A princely babe, sweet Jesus born.

With thankful heart and joyful mind,
The shepherds went the babe to find,
And as God’s angel has foretold,
They did our Savior Christ behold.
Within a manger He was laid,
And by His side the virgin maid
Attending to the Lord of Life,
Who came on earth to end all strife.

HYMNS FOR YOU TO SING ANYWHERE

Angels We Have Heard on High





Traditional French Carol

Luke 2:8-15
And in the same region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with great fear. And the angel said to them, “Fear not, for behold, I bring you good news of great joy that will be for all the people. For unto you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a baby wrapped in swaddling cloths and lying in a manger.” And suddenly there was with the angel a multitude of the heavenly host praising God and saying,

“Glory to God in the highest,
and on earth peace among those with whom he is pleased!”

When the angels went away from them into heaven, the shepherds said to one another, “Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.”
____________________

Inspired by the account of the nativity in the Gospel of Luke, this 18th century French carol (Les anges dans nos campagnes) originally consisted of eight stanzas alternately representing a dialogue between the shepherds and the women of Bethlehem (Femmes de Bethlehem). (Even the first stanza contains its own mini-dialogue, between the angels and the mountains). "Angels We Have Heard on High" was first published in French in 1855: an English translation by James Chadwick, Bishop of Hexham (1813-1882) appeared in 1862, but the English version that we sing today was included in Carols Old and Carols New in 1916. 

The extended "Gloria" refrain sung by the angels (and now by us!) in this carol is one of its most beautiful features.  According to the Center for Church Music,

Many years ago shepherds in the hills of southern France had a Christmas Eve custom of calling to one another, singing "Gloria in Excelsis Deo," each from his own hillside. The traditional tune that the shepherds used may have been from a late Medieval Latin chorale. It became the magnificent chorus of "Angels We Have Heard on High."

 If this carol is new to you and you'd like to hear a recording with singing, here are versions by the Cambridge Singers (conducted by John Rutter) and the Robert Shaw Chorale. 


Public Domain. Courtesy of PDHymns.com




Angels we have heard on high
sweetly singing o'er the plains,
And the mountains in reply
echoing their joyous strains.

Refrain:
Gloria in excelsis Deo!
Gloria in excelsis Deo!

Shepherds, why this jubilee?
Why your joyous strains prolong?
What the gladsome tidings be
which inspire your heavenly song? [Refrain]

Come to Bethlehem and see
Him whose birth the angels sing;
come, adore on bended knee,
Christ the Lord, the newborn King. [Refrain]

See Him in a manger laid,
whom the choirs of angels praise;
Mary, Joseph, lend your aid,
while our hearts in love we raise. [Refrain]


What Child is This
Public Domain. Adoration of the Shepherds by Geralrd van Honthorst





Words by W. Chatterton Dix, "Greensleeves" traditional 16th century English ballad tune

Luke 1:35
And the angel answered her, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy—the Son of God.
______________________________

The British melody "Greensleeves" is known to date to at least the 16th century: it was mentioned twice in William Shakespeare's play "The Merry Wives of Windsor"(1602) so it was already quite popular by that time. The text "What Child is This?" was originally part of a poem titled "The Manger Throne" written by William Chatterton Dix (1837-1898) who wrote a number of hymns and carols (including the Epiphany hymn "As with Gladness Men of Old") while working most of his life as a manager for a maritime insurance company in Glasgow. Dix wrote "The Manger Throne" in 1865, during a period when he was suffering from serious illness and depression. He began reading the Bible extensively and wrote a number of hymns and poems as a result of the healing and inspiration he experienced. In 1871, part of "The Manger Throne" was extracted as the text for "What Child is This" and was set to "Greensleeves" in Christmas Carols New and Old (1871), most likely by one of the book's editors, British organist and composer Sir John Stainer (1840-1901). (You can see the original printed version here).  

In "What Child is This?" we are drawn into the pastoral story of Christ's birth: picturing the child slumbering peacefully, watching the animals eating nearby, observing the shepherds guarding their flocks. But "What Child is This" is more than just a nativity scene in verse. It directs us to Jesus, not just as a sweet baby, but as "Christ the King" who brings salvation to all those who believe in Him and lovingly enthrone Him in their hearts. 

If you'd like to hear a version of this carol with singing, here's a beautiful rendition by the King's College Choir




What Child is this, who, laid to rest,
On Mary's lap is sleeping?
Whom angels greet with anthems sweet,
While shepherds watch are keeping?

Chorus:
This, this is Christ, the King,
Whom shepherds guard and angels sing:
Haste, haste to bring Him laud,
The Babe, the Son of Mary!

Why lies He in such mean estate,
Where ox and ass are feeding?
Good Christian, fear: for sinners here
The silent Word is pleading.[Chorus]

So bring Him incense, gold, and myrrh,
Come, peasant, king to own Him.
The King of kings salvation brings;
Let loving hearts enthrone Him.[Chorus] 

O Come, All Ye Faithful




Text attributed to John F. Wade. Translated by Frederick Oakley.  "Adeste Fideles" tune

Psalm 95:6
Oh come, let us worship and bow down;
let us kneel before the Lord, our Maker!

John 1:14
And the Word became flesh and dwelt among us, and we have seen his glory, glory as of the only Son from the Father, full of grace and truth.

1 Timothy 3:16
He was manifested in the flesh,
vindicated by the Spirit,
seen by angels,
proclaimed among the nations,
believed on in the world,
taken up in glory.
____________________

The history of "O Come All Ye Faithful" involves two countries, three languages, and contributors who are both known and unknown. The Latin text of the carol, "Adeste Fideles" was part of an 18th century manuscript at the College of Douai in northern France. John Francis Wade (1711-1786), an English musician at the college at that time, is often given credit as the author of both the Latin hymn text and the tune, but throughout the past several centuries others have been suggested as possible authors. What is known is that text and tune were first published together in 1751 in Wade's collection Cantus Diversi (you can see what the earliest printed version with music looked like here).  British priest and author Frederick Oakley (1802-1880) provided the English translation for verses 1-3 and 6; three additional stanzas added to the original text by other writers were translated by Abbé Etienne Jean François Borderies (1764-1832), bishop of Versailles.  

Although we don't know everything about the history of "O Come All Ye Faithful," its profound message is clear. We are invited today, not in the past or future, but now, to behold our Savior, to worship, to praise, to exalt, to give glory in the highest...to adore. 

Here's a video showing this great Christmas hymn being sung on Christmas Eve 2013 at Westminster Abbey in London. 





O come, all ye faithful, joyful and triumphant,
O come ye, O come ye to Bethlehem!
Come, and behold Him, born the King of angels!

Refrain:
O come, let us adore Him;
O come, let us adore Him;
O come, let us adore Him, Christ, the Lord!

Sing, choirs of angels; sing in exultation;
sing, all ye citizens of heav'n above!
Glory to God, all glory in the highest![Refrain]

Yea, Lord, we greet Thee, born this happy morning;
Jesus, to Thee be all glory giv'n!
Word of the Father, now in flesh appearing! [Refrain]

Good Christian Friends, Rejoice!





German/Latin hymn, 14th Century. Translated by John Mason Neale.  "In Dulci Jubilo" tune. Arranged for solo piano by Lloyd Larson.

Luke 1:47
My soul magnifies the Lord,
and my spirit rejoices in God my Savior.

Luke 2:11
For unto you is born this day in the city of David a Savior, who is Christ the Lord. 

Luke 2:15-18
When the angels went away from them into heaven, the shepherds said to one another, “Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.” And they went with haste and found Mary and Joseph, and the baby lying in a manger. And when they saw it, they made known the saying that had been told them concerning this child.  And all who heard it wondered at what the shepherds told them.
____________________

"In Dulci Jubilo" is a medieval hymn incorporating German and Latin words (this mixture of Latin and a vernacular language is called "macaronic") which dates to at least 1328.  It was included in a number of sacred music collections in the 15th and 16th centuries, and numerous English translations exist, including an 1853 version by Anglican priest, scholar, and hymnwriter John Mason Neale (1818-1866) which supplied the title "Good Christian Men, Rejoice" (often sung today as "Good Christian Friends, Rejoice"). 

This great carol is exciting and dynamic: it calls for rejoicing, and then explains why we should do so "with heart and soul and voice."  (All three!).  It takes us right back to moment Christ was born, describes the scene, and then proclaims,  "He has opened heaven's door, and we are blest forevermore."  We rejoice because "now ye need not fear the grave, Jesus Christ was born to save!"  This sparkling piano arrangement by Lloyd Larson captures the exuberance of both the lilting tune and the reassuring, jubilant text. Christ is born today! 
Good Christian friends, rejoice
with heart and soul and voice;
give ye heed to what we say:
Jesus Christ was born today.
Ox and ass before him bow,
and he is in the manger now.
Christ is born today!
Christ is born today!

Good Christian friends, rejoice
with heart and soul and voice;
now ye hear of endless bliss:
Jesus Christ was born for this!
He has opened heaven's door,
and we are blest forevermore.
Christ was born for this!
Christ was born for this!

Good Christian friends, rejoice
with heart and soul and voice;
now ye need not fear the grave:
Jesus Christ was born to save!
Calls you one and calls you all
to gain his everlasting hall.
Christ was born to save!
Christ was born to save!

Here's a playlist including all the music from today's post.  Enjoy!